Tag Archive | "Subtitling"

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Subtitled Film from Vietnam

Posted on 07 June 2011 by Ronald Gilliam

The University of Hawaii’s Southeast Asian Film Translation Project recently produced two subtitled Vietnamese language films, now available for public viewing in the United States!

 

program-vietnam-008BONG SEN (1998) is a remarkable co-production between Algeria and Vietnam. The film won Third Prize at the Seventh Festival of African Cinema in Morocco. In the 1950s, the French Army sent thousands of indigenes, soldiers conscripted from colonies in North Africa, to fight in the so-called “Dirty War” in Indochina. Set against the growing Vietnamese struggle for independence is a love story involving Ali, portrayed by Algerian actor El-Mellouhi Niddal, and Lien (Nguyen An Chinh), a beautiful Viet Minh guerrilla.

 

program-vietnam-007PASSERINE BIRD (1962). The Vietnam Film Institute stumbled upon a deteriorating 16mm print of this lost classic which the Hong Kong Film Archive restored and the Center subtitled. The film offers a lyric view of village level resistance to French colonial aggression in Viet Nam in the 1950s. Nga, a young girl, is thrown into the bitter struggles of her fellow countrymen as images of innocent youth are bled away, turning into the steadfastness of nationalist resolve.

 

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The Legend of Lady Hill from Myanmar

Posted on 02 June 2011 by Ronald Gilliam

program-myanmar-1In 2008, the University of Hawaii’s Southeast Asian Film Translation Project produced the first subtitled Burmese language film available for public viewing in the United States.

The Legend of Lady Hill is a supernatural melodrama. When young rich city boy, Tun, visits the town Lady Hill and impetuously flirts with a pretty village girl named Thuzar he unknowingly disrupts a village spirit ceremony. When Thuzar’s husband dies in an accident that evening, she and the rest of the village believe it is the vengeful punishment of Ma Ma U, the protective spirit who guards the village. Thuzar and angry villagers blame the recalcitrant Tun and chase him from the village. Twenty years later the repercussions of this sad event are still being felt. When Tun’s son, La Min, visits the same village and meets the beautiful Pha-yaung Ban, all sorts of trouble befalls them. Have the spirits cursed this couple? Or are more terrestrial forces working to keep them apart?

The Legend of Lady Hill is a soap opera love story transfused with Buddhist ethics and Myanmar’s rich religious culture. Scenes rich with traditional music and religious ceremony will please those with an interest in Burmese culture.

 

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Double Talk: Translation, Subtitling, and Multi-Media Approaches for Teaching Philippine Language and Culture

Posted on 01 October 2010 by Ronald Gilliam

National Foreign Language Resource Center Fall 2010 Demos and Discussions
Wednesday, October 13, 12:00 pm in Moore 258

Presented by Pia Arboleda, Assistant Professor of Filipino and Philippine Literature at the Department of Indo-Pacific Languages and Literatures

Literary texts and films are excellent tools for teaching language and culture. However, for heritage learners, Tagalog texts and Filipino films without subtitles are incomprehensible. Thus, there is a great need for translation and subtitling in order to produce bilingual materials. But the process of translation itself can be used as a tool to teaching Philippine language and culture. This presentation will explain the course design and method of teaching Filipino 435: Translation Theory and Practice. In this course students are asked to transcibe the original text in Filipino. This process hones their listening skills. Next, student conduct research on the historical and cultural background of the film or text they are translating. The process of translation allows them to apply the translation theories they have learned and to exercise critical and creative thought in order to produce an accurate and effective translation.

The presentation includes samples of bilingual materials like film clips, song adaptations, and digital storybooks and how they are used in the classroom.

contact Jim Yoshioka @ sltcc@hawaii.edu | more info

SPEAKER BIO:

Dr. PIA ARBOLEDA is assistant professor of Filipino and Philippine Literature at the Department of Indo-Pacific Languages and Literatures where she teaches ‘Translation Theory and Practice,’ ‘Philippine History and Culture,’ and ‘Philippine Folklore.’ She received her doctorate degree in Language and Literature from De La Salle University, Manila. Prior to joining University of Hawaii at Manoa, she taught Philippine Literature, Language and History at Osaka University for four and a half years. She has translated and subtitled Raymond Red’s “Sakay” and Jon Red’s “Ilusyon.” Dr. Arboleda is now working on the translation and subtitles of Eddie Romero’s “Noli Me Tangere” 13-episode TV series. She is also a poet and creative writer. Her works have appeared in ‘Forbidden Fruit: Women Write the Erotic,’ ‘Kung Ibig Mo: Love Poetry by Women,’ and ‘Essays on Women’, among others.

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Converging Texts: The Process, Challenges and Results of Subtitling Raymund Red’s “Sakay”

Posted on 24 February 2010 by Ronald Gilliam

Sponsored by the Center for Philippine Studies, , Univ. of Hawaiʻi at Mānoa
Wednesday, March 10 at 3:30 pm in Moore Hall 319 (Tokioka Room)
Presented by Dr. Pia Arboleda, Assistant Professor – Department of Indo-Pacific Languages and Literatures, Univ. of Hawaiʻi at Mānoa

This presentation will examine the challenges encountered in translating and subtitling Filipino director Raymond Red’s Sakay in an effort to make it accessible to Filipino heritage language learners and non-Filipino language students in a classroom environment. In translating and subtitling Sakay, Dr. Arboleda will try to “[reproduce] in the receptor language the closest natural equivalent of the source-language message, first in terms of meaning and secondly in terms of style.”

The major challenge in translation is that many language equivalents are available because of variations of possible meaning in the dialogue. In a number of cases, the equivalents may be accurate in meaning, but unnatural in colloquial delivery. In this regard, certain choices are made in order to ensure that the subtitles produce the same understanding for non-Filipino viewers as they would for native speakers.

Sakay is set in the early 1900s in the Philippines, when the Philippines changed colonial masters from the Spanish to the Americans. It was necessary to consider the historical and cultural context of the period, and include these important contextual elements in the final English subtitles.

This presentation will include video clips of scenes in support of issues discussed in the presentation.

SPEAKER BIO:

Dr. Pia Arboleda is assistant professor of Filipino and Philippine Literature at the Department of Indo-Pacific Languages and Literatures where she teaches Translation Theory and Practice, Philippine History and Culture, and Philippine Folklore. She received her doctorate degree in Language and Literature from De La Salle University, Manila. She has taught Philippine Literature, Language and History at Osaka University for four and a half years.She is also a poet and creative writer. Her works have appeared in Forbidden Fruit: Women Write the Erotic, Kung Ibig Mo: Love Poetry by Women and Essays on Women, among others.

more info at +1 808 956 6086 or cps@hawaii.edu | Center for Philippine Studies | Sakay

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