Tag Archive | "Burma"

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Song of the Week: Zaw Win Htut (Myanmar)

Posted on 03 June 2011 by Ronald Gilliam

Zaw Win Htut is a Burmese rock, country, and blues singer, and the lead vocalist of the band Emperor.

Zaw Win Htut was born into a musical family in Yangon, Myanmar. His father Kyi Khin was a physician, and his mother Tin Aye was a famous folk singer with the stage name Htar. His maternal grandfather was Shwe Taing Nyunt, a famous songwriter of classical Burmese music. His nickname was Nyi Htut. He received a bachelor’s degree in English from Yangon University.

Zaw Win Htut began his career in music as a drummer in a band called Oasis. He formed his own band, Emperor, in the 1980s with five members, Zaw Myo Htut (his brother and lead guitarist), Cin Khan Pun (bass), Wai Tun (drums), Maung Maung Lwin (keyboards), John O’Hara (acoustics). He was strictly a country, rock and roll singer in his early career. His first album, released in 1983, was not a success. His third album Hlyatsit Moe Kaungkin, released in 1989, made him a star.

Like most Burmese pop singers, Zaw Win Htut became famous with Burmese language covers of foreign (mostly Western rock and pop) hits, written by successful cover “songwriters” such as Thukhamein Hlaing, Min Chit Thu, Win Min Htwe, Saw Khu Sae. Unlike most Burmese pop stars, this grandson of Shwe Taing Nyunt was actually embarrassed about it. He famously said that singing those songs were like wearing someone’s else shirt. In a 2004 interview he said that his goal was to make original music.

He decided to make only “original” (i.e. non-cover) albums in mid 1990s. He was one of the first in the Burmese pop music industry to break away from taking the easy route of cover songs. (To be sure, some successful singers like Sai Htee Saing and Soe Lwin Lwin never recorded a cover song.) He did score a few hits with A-Hnaing-Me and Achit Mya Thu Si Mha. Nonetheless, his contrition has limits. He continues to perform his famous cover hits in concerts although he performs only the original songs in his overseas concerts. In a 2010 interview, he admitted that he refused to do any concerts overseas for many years because he did not have a sufficient number of original songs, and that he began doing overseas concerts only after he had collected enough original songs. In the same interview he said he had done over 20 overseas concerts. In 2000, he introduced the blues to his records.

“Though their profession calls for them to strut onstage like rebels, Burma’s rockers can only mime the anti-establishment part. Zaw Win Htut works in the sanitized vacuum of a country run by military rulers who view him automatically as a threat, a potential subversive, because he holds a microphone. Burma’s cultural input is zealously monitored and artistic expression heavily censored.” ”As one of Burma’s biggest rock stars, Zaw Win Htut faces constant government scrutiny of his lyrics, album covers and music videos, but some of his biggest clashes concerned the length of his hair.” -taken from Wikipedia

 


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Myanmar (Burma) Links

Posted on 29 September 2010 by Ronald Gilliam

General Information

Embassy of Myanmar
World Press
Association of Southeast Asian Nations (ASEAN)
Lonely Planet World Guide
On-line Burma Library
US-ASEAN Business Council
Outreach World
University of Hawaii Press

Newspapers

BurmaNet News (English)
Burma Project Southeast Asia Initiative (English)
Irrawaddy (English)
Myanmar Times (English)
Kachin Post (English)
New Light of Myanmar (English)
ReliefWeb (English)

Burmese Version

The Mirror (Burmese)
Democratic Voice of Burma (Burmese)

Forums

Lonely Planet Thorn Tree Travel Forum

Wish to share a link not posted on this page? Contact us and let us know!

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Kuang Myat

Posted on 17 September 2010 by Ronald Gilliam

kuang

Myanmar Singer and Composer, Kaung Myat released his first solo music album, called “Floaty Cloud” in 2009. The Music Video of Floatly Could was also released and made with beautiful shoots and well persentation not like other Music Videos in Myanmar. Many popular model girls (such as Moe Hay Ko, Moe Yu San, Wut Hmone Shwe Yee and Phwe Phwe and etc.) star in this Music Video VCD.

-taken from MyanmarCelebrity.com


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Torn from Home: My Life as a Refugee

Posted on 01 June 2010 by Ronald Gilliam

8 June – 16 October at the Hawaii Children’s Discovery Museum

A traveling exhibit on the world’s refugees has made its way to Honolulu. “Torn From Home: My Life as a Refuge” takes young visitors and adults on an inspiring, hands-on journey into the lives of millions of children who were forced to flee their homes in conflict regions throughout the world.

The exhibit is on a national five-year tour and will celebrate its grand opening at the Hawaii Children’s Discovery Center on June 20, recognized as World Refugee Day, with vibrant cultural performances, ethnic foods and more from 10 a.m. to 3 p.m. The exhibit will remain in Hawaii through October 16, 2010.

“Torn From Home: My Life as a Refugee” gives children and adults an opportunity to gain a firsthand look into the often challenging realities faced by refugee children and their families, and yet experience the personal triumphs of rebuilding their lives in a new land. It showcases seven exhibit areas: Home, Losing Home, Registration, Refugee Camp, Medical Clinic and Going Home.

The self-guided tour walks museum visitors through exhibit areas where they will learn about the shelter, food, medical care, schooling, and play activities of children in refugee camps. The exhibition features interactive multimedia, as well as photographs, artwork and testimonials of refugee children from countries such as the Democratic Republic of Congo, Colombia, and Afghanistan.

“By hosting this exhibit, we hope that children and adults in Hawaii become more aware of what is happening in other countries throughout the world,” says Loretta Yajima, president of the Board of Directors at the Hawaii Children’s Discovery Center. “We hope that awareness will help them to develop a sense of empathy and compassion, while also exploring themes such as “What makes a home?” and “What is peace?”

The Hawaii Children’s Discovery Center has partnered with local community organizations, as well as individuals from regions including Laos, Vietnam and Burma, to recognize Hawaii’s own refugee populations. Monthly cultural events will showcase each culture through food, performances, and more.

The Center has also crafted extension exhibits specifically designed to address Hawaii’s diverse immigrant communities. Children will gain traits such as understanding the beauty of our differences by participating in various projects, such as creating a peace quilt. The Center itself has galleries of hands-on, interactive exhibits that help children learn about themselves and the world beyond our Island shores through exploration and guided self-discovery.

“Torn From Home: My Life as a Refugee” was developed in partnership with Lied Discovery Children’s Museum in Las Vegas, Nevada, and international aid organizations including UNHCR, the UN refugee agency. Philanthropist and part-time Hawaii resident, Pam Omidyar helped conceive the exhibit and personally provided core funding. Transportation funding to Hawaii was provided by Unbound Philanthropy.


Hawaii Children’s Discovery Center
| Torn From Home: My Life as a Refugee Exhibit

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Guangzhou International Documentary Film Festival

Posted on 05 November 2009 by Ronald Gilliam

Guangzhou, PRC
7 – 11 December 2009

GZ DOC endeavors to “bring China to the world and have the world know China” and has been developing itself towards an international, professional and market-oriented festival. Here are some SEA-related documentaries playing this year:

Untitle Life (2008)Untitled Life
Director: Shin Daewe
Burma / Yangon Film School 2008
synopsis

Diminishing Memories II (2008)

Diminishing Memories II
Dir. Eng Yee Peng
Singapore / Eng Yee Peng 2008
synopsis


Trails from the East, Episode Vietnam

Dir. Rob Hof Netherlands / Hoffilm 2007
synopsis
more info

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The Burmese Film Industry and Shan Spectatorship

Posted on 01 December 2008 by Ronald Gilliam

 

Click play to listen to this mp3. Please note sound files are not playable on mobile devices.

Tuesday, December 2, 12:00 p.m., Moore Hall 319 (Tokioka Room)
Presented by Dr. Jane M. Ferguson. Lecturer, Australia National University

In spite of Burma’s long and vibrant history of indigenous film production, critical material on the subject is extremely sparse. Similarly, within the critical material on the decades-long insurgency, popular culture consumption is an often overlooked dimension of the daily lives of ethnic insurgents and their affiliates. Ethnographic fieldwork conducted in one such Shan community shows that in spite of – or even because of – the ongoing conflict, Burmese popular culture is symbolically relevant and richly meaningful…even amongst some of the most adamant of Shan separatists. In this presentation, Jane Ferguson will give an overview of the history, structure, and some of the popular genres of the Burmese motion picture industry, and then discuss dimensions of spectatorship of Burmese films in a village of Shan insurgents and their affiliates at the Thai-Burma border.

SPEAKER BIO:

JANE M. FERGUSON lectures on Mainland Southeast Asian Studies at the Australian National University in Canberra. Her interests includes nationalism, borderlands, popular culture, musical genres, digital media, Buddhist ritual and Burmese, Thai and Shan migration. Ferguson received her doctorate at Cornell University in May 2008 for her dissertation entitled Rocking in Shanland: Histories and Popular Culture Jams at the Thai-Burma Border. Ferguson’s publications include Rock Your Religion: Shan Merit-making, Ritual and Stage-show Revelry at the Thai-Burma Border in Asian Legacies and Inscriptions of the State (forthcoming) and Revolutionary Scripts: Shan Insurgent Media Practice at the Thai-Burma Border in Political Regimes and the Media in Asia: Continuities, Contradictions and Change.

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