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People inside the Frontier

Posted on 12 July 2011 by Ronald Gilliam

USA 2007, 9 Parts; 60 min
A Documentary Video by Sapril Akhmady
Local dialects with English subtitles & narration

The story begins at a time when the Ammatoa people are feeling deeply disturbed about ongoing changes in their community. They feel as if they are facing currents of transformation that will fundamentally affect their culture and their traditional way of life. The system of agriculture has been changed, machines for activities like paddy pounding have been introduced, modern roads have been built around villages, and customary land has been taken away. Underlying all these changes is the fact that traditional knowledge has been lost and that the younger generation is less concerned about retaining this knowledge. Indeed, what concerns the Ammatoa most is this changing mind set, changes in ways of thinking, and changes even in religious values. Their ancestors inherited a prominent element known as Pasang (messages from ancestors). For generations the Pasang have been the fundamental basis of Ammatoa religious life. They are increasingly aware, however, that the influence of schooling and formal education among the present generation ha brought new values and new materialistic perceptions. Many Ammatoa fear that these alterations are leading their community far away from their traditional unpretentious life style, where they are taught to live in a spiritually simple manner.

The history of the Ammatoa people shows clearly that they are able to deal with change. They have their own strategies that have enabled them to survive and which have made them known as a specific cultural community, a community that still maintains teh cultural heritage of its ancestors. Through culturally complex adaptation, they really have proven that they can survive even when influences from outside have been extremely destructive. Legends and mythology recount Ammatoa history from pre-colonial times during the Gowa kingdom, through the colonial era to the post-colonial “orde baru” (New Order).

These stories are not just accounts of communal successes, for they tell of the loss of customary land, and teh cultural domination of outsiders. On the other hand, firm belief in the truth of the Pasang among the Ammatoa represents a cultural triumph, and helps explain their ability to survive in the Tana Toa villiage, even though their numbers are small.

The most pressing question is wether the Ammatoa will be able to survive into the next phase, when we think about all the changes among the people themselves, and the very different conditions now when compared with the past. The Ammatoa have many perceptions about their society, but they firmly believe that “if custom is lost, if the sacred forest is destroyed, that finally will be the end of human beings.” It remains to be seen whether the Ammatoa can continue to maintain a culture based on the close relationship between spiritual life and the environment when some of the most far-reaching changes are coming from within their own community. In the end this will depend on the Ammatoa people themselves.

PART 1:


View the other 8 parts on the CSEAS Vimeo Channel

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Dancing in the Park — Hanoi at Its Millennium

Posted on 08 February 2011 by Ronald Gilliam

USA 2010, 11 min
Directed by Mike Douglass and Henry Mochida with Hao Nguyen
Vietnamese with English subtitles

This film is the story of social life in Hanoi, a city in the midst of its 1,000th anniversary as the capital of Vietnam. Every morning Hanoians from across the city gather at Thong Nhat Park for relaxation, exercise, chatting and ballroom dancing. As the city enters a new epoch as an open market economy, the park has quickly become a target for global investment seeking to privatize public spaces. The film shows how park users share in creating and managing activities for social engagement and how they view the importance of the park in their daily lives. It also follows how NGOs and journalists in Hanoi mobilized Hanoians to confront the immanent threat to this vital social space.

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Mike Douglass focuses his research on livable cities in Asia, with particular interest in Hanoi. His recent books include: “Globalization, the Rise of Civil Society and Civic Spaces in Pacific Asia Cities” (2010) and “Building Urban Communities: The Politics of Civic Space in Asia” (2008). He is the recipient of the Excellence in Research Award from the UHM College of Social Sciences (2008-2009 and 2001-2002) and was recently a Senior Visiting Research Scholar at the Asia Research Institute, National University of Singapore (2010).

Henry I. Mochida has dedicated the past 5 years in filmmaking for social research and planning. He is an award winning filmmaker with experience on over 100 productions with premiers in film festivals around the world. His research interests are on the image in the production of knowledge and in planning theory. He seeks to foster critical thinking and deliberative democracy through planning based filmmaking.

Hao Nguyen in his professional life prior to coming to UH was a researcher at the Institute of Sociology, under the Vietnam Academy of Social Sciences in Hanoi. His main concerns include issues of urbanization and environment, migration and urban poverty, decentralization, and public spaces and city life in the developing world. He was awarded the Harvard-Yenching Institute’s Scholarship from Harvard University to pursue his doctoral degree in Urban and Regional Planning at UHM.

A Film by the Globalization Research Center, University of Hawai’i, Hen Haus Productions,
Hawai’i , and Redbridge Film and TV, Hanoi. Directed by Mike Douglass
and Henry Mochida with Hao Nguyen, Department of Urban & Regional Planning,
UHM. Funded by the Ford Foundation.

CSEAS thanks Dr. Mike Douglass, Executive Director, Globalization Research Center and Professor, Urban & Regional Planning, University of Hawaii for permission to post this film on our website.

This film was part of a CSEAS Speaker Series presentation on 2/4/2011

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A (Balinese) Tempest Behind-the-Scenes

Posted on 03 February 2008 by Ronald Gilliam

A (Balinese) Tempest

Directed by Larry Reed, Artistic Director of ShadowLight Productions, San Francisco
Musical Director: I Nyoman Sumandhi, Bali

Production Director: Kirstin Pauka, University of Hawai’i at Manoa

Jan 25, 26, 31, Feb 1, 2, 3 2008

This unusual adaptation of Shakespeare’s most musical and magical play is about a sorcerer and dethroned Milanese duke (Prospero), who has been banished with his daughter Miranda to an enchanted island.

Guest artist Larry Reed fuses Balinese and Elizabethan elements with his hallmark shadowcasting method, which utilizes a giant screen and live performers to create a magical shadow theatre performance. The production will also feature live musical accompaniment by the UH Balinese Gamelan Ensemble under the direction of guest artist I Nyoman Sumandhi. 

For more information go to hawaii.edu/theatre

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Act I of Luck & Loss: Manandin’s Gamble

Posted on 06 February 2005 by Ronald Gilliam

Act I of Luck and Loss: Manandin’s Gamble

Luck and Loss: Manandin’s Gamble

Traditional Indonesian Randai
Directed by Kirstin Pauka
Guest Master Artists: Mohamad Halim and Saparman Bin Jamaludin

Jan. 28, 29, Feb. 3, 4, 5, & 6 2005

A traditional West Sumatran Randai folk play featuring martial arts, dance, singing, music, and pants-slapping percussion, Manandin’s Gamble is a traditional coming-of-age story about love, gambling, and adventure. Master artists from West Sumatra, Mohamad Halim, internationally renowned master of traditional Minangkabau music, and Saparman Bin Jamaludin, master-teacher of Randai dance, acting, and silat (martial arts) will provide specialized training. UHM is the only university in the world that produces Indonesian Randai in English.

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Luck & Loss: Manandin’s Gamble Behind-the-Scenes

Posted on 06 February 2005 by Ronald Gilliam

Luck and Loss: Manandin’s Gamble

Traditional Indonesian Randai
Directed by Kirstin Pauka
Guest Master Artists: Mohamad Halim and Saparman Bin Jamaludin

Jan. 28, 29, Feb. 3, 4, 5, & 6 2005

A traditional West Sumatran Randai folk play featuring martial arts, dance, singing, music, and pants-slapping percussion, Manandin’s Gamble is a traditional coming-of-age story about love, gambling, and adventure. Master artists from West Sumatra, Mohamad Halim, internationally renowned master of traditional Minangkabau music, and Saparman Bin Jamaludin, master-teacher of Randai dance, acting, and silat (martial arts) will provide specialized training. UHM is the only university in the world that produces Indonesian Randai in English.

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Annie Lokomaika′i Lipscomb Discusses Randai

Posted on 05 February 2005 by Ronald Gilliam

Annie Lokomaika′i Lipscomb, a student at the University of Hawai′i at Mānoa, discusses her experience with Randai in 2005.

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Dr. Kirstin Pauka Discusses Music in Randai

Posted on 05 February 2005 by Ronald Gilliam

Dr. Kirstin Pauka, a professor of Southeast Asian Theatre at the University of Hawai′i at Mānoa, discusses music within Randai.

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Gilbert Molina Discusses Randai

Posted on 05 February 2005 by Ronald Gilliam

Gilbert Molina, a student at the University of Hawai′i at Mānoa, discusses his participation in the 2005 Randai performance at Kennedy Theatre.

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Dr. Kirstin Pauka Discusses Dance in Randai

Posted on 05 February 2005 by Ronald Gilliam

Dr. Kirstin Pauka, a professor of Southeast Asian Theatre at the University of Hawai′i at Mānoa, discusses dance within Randai.

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Luck & Loss: Manandin’s Gamble News Coverage

Posted on 02 February 2005 by Ronald Gilliam

KHON News coverage from 2005 about the local production of Luck & Loss: Manandin’s Gamble.

For more information vist hawaii.edu/theatre

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