by Grant Evans
Silkworm Books, 2012

Lao royalty’s engagement in all the major events of the country in the last century forms a rich and complex narrative. But with the 1975 Communist revolution this history fell into oblivion and has all but disappeared from public memory.

The Last Century of Lao Royalty recovers this history by presenting a wealth of rare documents and photographs. They bring to life the political, social, and cultural activities of the members of the royal families and provide a unique perspective on the role of royalty in modern Laos. Royalty was, in fact, a force for moderation, modernization, and democracy during the period of the Royal Lao Government (1947-1975). The last king, King Sisavang Vatthana, for instance, refused to give his imprimatur to a military dictatorship because he was so doggedly committed to constitutional rule.

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by Joanna Catherine Scott
Mcfarland, 2011

This poignant collection of oral histories tells the stories of nine Laotians, four Cambodians and nine Vietnamese: what their lives were like before 1975, what happened after the Communist takeover that made them decide to flee their native countries, and how they escaped. The storytellers (housewife, Amerasian child, schoolteacher, government clerk, military officer, security agent, Buddhist monk, artist) create a broad and moving picture of the new realities of contemporary Indochina.

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by William J. Rust
The University Press of Kentucky, 2012

In the decade preceding the first U.S. combat operations in Vietnam, the Eisenhower administration sought to defeat a communist-led insurgency in neighboring Laos. Although U.S. foreign policy in the 1950s focused primarily on threats posed by the Soviet Union and the People’s Republic of China, the American engagement in Laos evolved from a small cold war skirmish into a superpower confrontation near the end of President Eisenhower’s second term. Ultimately, the American experience in Laos foreshadowed many of the mistakes made by the United States in Vietnam in the 1960s.

In Before the Quagmire: American Intervention in Laos, 1954–1961, William J. Rust delves into key policy decisions made in Washington and their implementation in Laos, which became first steps on the path to the wider war in Southeast Asia. Drawing on previously untapped archival sources, Before the Quagmire documents how ineffective and sometimes self-defeating assistance to Laotian anticommunist elites reflected fundamental misunderstandings about the country’s politics, history, and culture. The American goal of preventing a communist takeover in Laos was further hindered by divisions among Western allies and U.S. officials themselves, who at one point provided aid to both the Royal Lao Government and to a Laotian general who plotted to overthrow it. Before the Quagmire is a vivid analysis of a critical period of cold war history, filling a gap in our understanding of U.S. policy toward Southeast Asia and America’s entry into the Vietnam War.

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by Justin Thomas Mcdaniel
University of Washington Press, 2008

“Gathering Leaves and Lifting Words” examines modern and pre-modern Buddhist monastic education traditions in Laos and Thailand. Through five centuries of adaptation and reinterpretation of sacred texts and commentaries, Justin McDaniel traces curricular variations in Buddhist oral and written education that reflect a wide array of community goals and values. He depicts Buddhism as a series of overlapping processes, bringing fresh attention to the continuities of Theravada monastic communities that have endured despite regional and linguistic variations. Incorporating both primary and secondary sources from Thailand and Laos, he examines pre-modern inscriptional, codicological, anthropological, art historical, ecclesiastical, royal, and French colonial records. He traces how pedagogical techniques found in pre-modern palm-leaf manuscripts are pervasive in modern education by looking at modern sermons, and even television programmes and websites.

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by Gayle L. Morrison
Mcfarland, 2007

Starting in 1960, Hmong guerrilla soldiers, under the command of General Vang Pao, functioned as the hands and feet of the U.S. Central Intelligence Agency’s secret war against communist forces in Laos. Operating out of Long Cheng, the Hmong soldiers allowed the CIA to accomplish two objectives: to maintain the perception of United States neutrality in Laos and to tie up North Vietnamese troops in Laos who would otherwise have been sent to fight in South Vietnam. The U.S. government had quietly pledged to General Vang Pao and the Hmong that the Americans would take care of them in the event that Laos fell. In May 1975, this promise was redeemed when the CIA generated an air evacuation that moved more than 2,500 Hmong officers, soldiers and family members out of their mountain-ringed airbase. Fifty or so Hmong and Americans involved in the evacuation provide herein a firsthand account of the 14-day evacuation and the events leading up to it. Their accounts document both the political and human aspects of this unusual historical event.

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by Ross King
University Of Hawai’i Press, 2008

Arguably Southeast Asia’s most spectacular city, Kuala Lumpur—widely known as KL—has just celebrated fifty years as the national capital of Malaysia. But KL now has a very different twin in Putrajaya, the country’s new administrative capital. Where KL is a diverse, cosmopolitan, multiracial metropolis, Putrajaya fulfills an elitest vision of a Malay-Muslim utopia. KL’s multicultural richness is reflected in the brilliance and diversity of its architecture and urban spaces; Putrajaya, by contrast, is an architectural homage to an imagined Middle East.

The “purity” of Putrajaya throws the cosmopolitan diversity of Kuala Lumpur into sharp relief, and the tension between the two places reflects the rifts that run through Malaysian society. In this copiously illustrated book, Ross King considers what form of metropolis the Kuala Lumpur-Putrajaya region might foreshadow, arguing that signs of this future city are to be sought in the collision points between the utopian dreams of imagined futures and the reality of purposely forgotten pasts.

Drawing on postcolonial studies, media studies, and critical social theory, Kuala Lumpur and Putrajaya makes a significant contribution to architecture, urban planning, urban design, and Malaysian politics and society.

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edited by Bernice Chauly and Sharon Bakar
Word Works, 2011

Bernice Chauly and Sharon Bakar select the best poetry, fiction and creative non-fiction submitted by Malaysian, Singaporean and expatriate writers who have read their work at their live literary event, Readings, and demonstrate the sheer variety and range of voices that characterize the local writing scene. You will find works from both established poets and authors, and from promising new writers making their debut. If ever evidence were needed that the local writing community is thriving — this is it.

Readings from Readings celebrates Kuala Lumpur’s longest-running live literature event. Founded in 2005 by Bernice Chauly, Readings provides a regular place in which local writers and readers can connect in an informal atmosphere.

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by Christine B.N. Chin
Oxford University Press, 2013

Cosmopolitan Sex Workers is a groundbreaking look into the phenomenon of non-trafficked women who migrate from one global city to another to perform paid sexual labor in Southeast Asia. Through a new, innovative framework, Christine B.N. Chin shows that as neoliberal economic restructuring processes create pathways connecting major cities throughout the world, competition and collaboration between cities creates new avenues for the movement of people, services and goods. Loosely organized networks of migrant labor grow in tandem with professional-managerial classes, and sex workers migrate to different parts of cities, depending on the location of the clientele to which they cater.

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edited by Amir Muhammad
Buku Fixi, 2013

KL NOIR: Red is the first of 4 volumes about the Malaysian capital city’s dark side. There are 14 short stories and one essay about the seedy, the sinister and sometimes the spooky. You will find murder, drug-dealing, kidnapping, sexual depravity, prostitution, celebrity secrets, suicides, academic rivalry, gangsters, police brutality, cannibalism, black magic, creepy rituals, political corruption and even busking. It’s all totally fictional. Well, maybe the cannibalism is.

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by Yat Ming Loo
Ashgate, 2013

Kuala Lumpur, the capital city of Malaysia, is a former colony of the British Empire which today prides itself in being a multicultural society par excellence. Engaging with complex colonial and postcolonial aspects of the city from the British colonial era in the 1880s to the modernisation period in the 1990s, this book demonstrates how Kuala Lumpur’s urban landscape is overwritten by a racial agenda through the promotion of Malaysian Architecture, including the world-famous mega-projects of Petronas Twin Towers and the new administrative capital of Putrajaya. It demonstrates how the ‘Malayanisation’ and ‘Islamisation’ of the urban landscape – the core of Malaysia’s decolonisation projects – has marginalised the Chinese urban spaces which were once at the heart of Kuala Lumpur. Drawing on a wide range of Chinese community archives, interviews and resources, the book illustrates how Kuala Lumpur’s Chinese spaces have been subjugated. This includes original case studies showing how the Chinese re-appropriated the Kuala Lumpur old city centre of Chinatown and Chinese cemeteries as a way of contesting state’s hegemonic national identity and ideology.This book is arguably the first academic book to examine the relationship of Malaysia’s large Chinese minority with the politics of architecture and urbanism in Kuala Lumpur. It is also one of the few academic books to situate the Chinese diaspora spaces at the centre of the construction of city and nation. By including the spatial contestation of those from the margins and their resistance against the hegemonic state ideology, this book proposes a recuperative urban and architectural history, seeking to revalidate the marginalised spaces of minority community (Chinese spaces in Kuala Lumpur), and re-script them into the narrative of the postcolonial nation-state.

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by Tilman Baumgärtel
Hong Kong University Press, 2012

The rise of independent cinema in Southeast Asia, following the emergence of a new generation of filmmakers there, is among the most significant recent developments in global cinema. The advent of affordable and easy access to digital technology has empowered startling new voices from a part of the world rarely heard or seen in international film circles. The appearance of fresh, sharply alternative, and often very personal voices has had a tremendous impact on local film production. This book documents these developments as a genuine outcome of the democratization and liberalization of film production. Contributions from respected scholars, interviews with filmmakers, personal accounts and primary sources by important directors and screenwriters collectively provide readers with a lively account of dynamic film developments in Southeast Asia.

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edited by May Adadol Ingawanij and Benjamin McKay
Southeast Asia Program Publications, 2011

Since the late 1990s, a vivid new sphere of cinematic practice in Southeast Asia has emerged and been identified as independent. What exactly does this term mean in relation to the way films and videos are made, and the way they look? How do issues of festival circulation, piracy, technology, state and institutional power, and spectatorship apply to practices of independent cinema throughout the diverse region? The authors who speak in this volume—contemporary filmmakers, critics, curators, festival organizers—answer these questions. They describe and analyze the emerging field of Southeast Asian cinema, which they know firsthand and have helped create and foster.

Glimpses of Freedom is the outcome of a project collaboratively conceived by a new generation of scholars of cinema in Southeast Asia, inspired by the growing domestic and international visibility of notable films and videos from the region. Contributors include internationally esteemed independent filmmakers, critics, and curators based in Southeast Asia, such as Hassan Abd Muthalib, Alexis A. Tioseco, Chris Chong Chan Fui, and John Torres. International scholars such as Benedict Anderson, Benjamin McKay, May Adadol Ingawanij, and Gaik Cheng Khoo contextualize and theorize Southeast Asia’s “independent film cultures.” The interaction between practitioners and critics in this volume illuminates a contemporary artistic field, clarifying its particular character and its vital contributions to cinema worldwide.

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edited by David C. L. Lim and Hiroyuki Yamamoto (Editor)

Routledge, 2011

This book discusses contemporary film in all the main countries of Southeast Asia, and the social practices and ideologies which films either represent or oppose. It shows how film acquires signification through cultural interpretation, and how film also serves as a site of contestations between social and political agents seeking to promote, challenge, or erase certain meanings, messages or ideas from public circulation. A unique feature of the book is that it focuses as much on films as it does on the societies from which these films emerge: it considers the reasons for film-makers taking the positions they take; the positions and counter-positions taken; the response of different communities; and the extent to which these interventions are connected to global flows of culture and capital.

The wide range of subjects covered include documentaries as political interventions in Singapore; political film-makers’ collectives in the Philippines, and films about prostitution in Cambodia and patriotism in Malaysia, and the Chinese in Indonesia. The book analyses films from Burma, Laos, Cambodia, Vietnam, Thailand, Malaysia, Singapore, Indonesia and the Philippines, across a broad range of productions – such as mainstream and independent features across genres (for example comedy, patriotic, political, historical genres) alongside documentary, classic and diasporic films.

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by Jose B. Capino
University of Minnesota Press, 2010

Philippine cinema, the dream factory of the former U.S. colony, teems with American figures and plots. Local movies feature GIs seeking Filipina brides, cold war spies hunting down native warlords, and American-born Filipinos wandering in the parental homeland. The American landscape furnishes the settings for the triumphs and tragedies of Filipino nurses, GI babies, and migrant workers.

By tracking American fantasies in Philippine movies from the postindependence period to the present, José B. Capino offers an innovative account of cinema’s cultural work in decolonization and globalization. Capino examines how a third world nation’s daydreams both articulate empire and mobilize against it, provide imaginary maps and fables of identity for its migrant workers and diasporan subjects, pose challenges to the alibis of patriarchy and nationalism, and open up paths for participating in the cultures of globality.

Through close readings of more than twenty Philippine movies, Capino demonstrates the postcolonial imagination’s vital role in generating pragmatic and utopian visions of living with empire. Illuminating an important but understudied cinema, he creates a model for understanding the U.S. image in the third world.

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by Ben Murtagh
Routledge, 2013

Indonesia has a long and rich tradition of homosexual and transgender cultures, and the past 40 years in particular has seen an increased visibility of sexual minorities in the country, which has been reflected through film and popular culture. This book examines how representations of gay, lesbian and transgender individuals and communities have developed in Indonesian cinema during this period. The book first explores Indonesian engagement with waria (male-to-female transgender) identities and the emerging representation of gay and lesbi Indonesians during Suharto’s New Order regime (1966-98), before going on to the reimagining of these positions following the fall of the New Order, a period which saw the rebirth of the film industry with a new generation of directors, producers and actors. Using original interview research and focus groups with gay, lesbi and waria identified Indonesians, alongside the films themselves and a wealth of archival sources, the book contrasts the ways in which transgendered lives are actually lived with their representations on screen.

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by Sean Anderson
UCLA Fowler Museum of Cultural History, 2006

Fire and light have long symbolized the relationship of human beings to the universe and its creators. In South and Southeast Asia and the Himalayas, the lamp, as a bearer of light, came to be perceived as a vehicle through which the divine could be accessed. The design, construction, and use of the lamp in these regions have been synonymous with the faith of the devotee since ancient times. Today, the lamp continues to play a pivotal role in Hindu and Buddhist religious contexts, allowing the faithful to concentrate on the image or nature of the deity. The 76 remarkable metal lamps and incense burners illustrated in “Flames of Devotion” form the heart of a collection assembled by the preeminent scholar of Indian and Himalayan art Pratapaditya Pal and his wife, Chitralekha. They are noteworthy for their ingenious design and diverse crafting, as well as their iconographic richness. They represent fourteen states in India, a majority coming from Rajasthan and Gujarat in the west, the tribal areas in central Madhya Pradesh and Chhattisgarh, and the southern states of Kerala and Tamil Nadu. In addition, stunning examples of lamps from Nepal and Tibet showcase the skill with which precious metals were employed during the eighteenth and nineteenth centuries, and a small selection of early incense burners and lamps from Cambodia, Indonesia, and Vietnam show the role these objects played in the ancient imagination. In an engaging and highly informative text, architect and art historian Sean Anderson investigates why lamps have endured and remain omnipresent in Hindu and Buddhist practice. While examining the historical importance of the lamp, Anderson emphasizes that as altar and tool, icon and fine sculpture, it is an evocative reminder of an undying devotion forged with the most common yet enigmatic of materials: metal and fire. He considers as well the liminal space the lamp occupies between the secular and the sacred in societies where it is often used to mark every event of significance from birth to death.

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by Florina H. Capistrano-Baker
Metropolitan Museum of Art, 2012

The sprawling geographic region that is Island Southeast Asia comprises more than seventeen hundred islands, including the modern nations of the Philippines, Indonesia, Brunei, and eastern Malaysia. A common language and culture may at an early time have unified the peoples of this vast region, and in spite of the impact of colonialism and extensive contact with four of the world’s great religions, a commonality remains. The visual arts powerfully illustrate this tenacious unity.

The Fred and Rita Richman Collection in The Metropolitan Museum of Art, New York, is an impressive assemblage of the art of these myriad islands. Many of the art forms represented no longer survive, and those that do are seldom created in their original social and religious context,making the work a valuable record of an irretrievable past. Made in the late nineteenth and early twentieth century, the art in the collection represents a dynamic period in Southeast Asia’s history, during which mercantile exploits gave rise to social, political, and economic changes. The art of Island Southeast Asia is thus one of continuous change. Nevertheless, because of shared ethnic, linguistic, and cultural sources, different forms of artistic expression remain formally and conceptually related, and while the meanings given to similar art forms and their stylistic renderings vary, the concepts they reflect are universal.

Broadly stated, the art addresses two fundamental concerns, fertility and protection. Four important images evoke these themes: the seated human figure, the omega-shaped mamuli ornament, the water buffalo, and the naga serpent-dragon. The works, many rendered powerful by natural and supernatural forces, visually conjoin spirit worlds and island realms.

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by Henri Parmentier, Paul Mus, and Étienne Aymonier
White Lotus Co Ltd, 2003

The first report in this book offers an overview of Cham art with sixty-five photographs and an introductory text by the eminent French archaeologist Henri Parmentier. Originally published in 1922, this book remains one of the best introductions to the treasures preserved in the Tourane Museum in Danang. It features splendid photographs of Cham art discovered in the main areas of this long lost culture-Mi Son, Dong Duong, Khuong My, and Tra Kieu. The development of Cham art is sketched against the background of Annamese migration pushing the Cham people and their kingdom ever further south. The second part consists of two research reports. The first one by Paul Mus summarizes what is known about the religious practices of the Cham people and is based on artifacts and translated inscriptions. The author also reviews evidence from contemporary Cham culture. The religious inheritance of Champa is related to Vedic, Indian, Chinese, and Annamese forms of worship, and the significance of the Champa king as intermediary between the gods and the soil is also discussed. The second report by Étienne Aymonier contains an overview, dated 1884-85, of the religious practices, ceremonies related to veneration of divinities, marriage, birth, priesthood, death, agriculture, collection of eagle wood, and other customs of both groups of Chams, Muslims and non-Muslims, in Vietnam, and Chams in Cambodia.

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by John N. Miksic
YU Art Gallery, 2011

While ancient Javanese bronze and ironwork have long elicited interest, there is a lesser-known yet equally fascinating aspect of the Indonesian island’s history: gold artifacts, including jewelry, clothing accessories, statues, coins, and containers. Not only do these objects display exceptional craftsmanship, they also provide a significant source of information on Javanese society, culture, religion, economy, technology, and art from the 1st century BCE to 1500.

This revised and expanded edition of the 1990 publication Old Javanese Gold celebrates Valerie and Hunter Thompson’s 2007 gift of Javanese gold objects to the Yale University Art Gallery and the subsequent founding of the Department of Indo-Pacific Art. Along with entirely new photography and a fresh design, the book’s essays have been updated to incorporate recent discoveries—including the Wonoboyo hoard, one of the most important gold hoards ever excavated in Southeast Asia.

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by Nancy Tingley
Museum Fine Arts Houston, 2009

Once a strategic trading post that channeled the flow of riches and ideas among countries situated along the South China Sea and places as far away as India and Rome, Viet Nam has a fascinating history and an artistic heritage to match it. This lavishly produced catalogue will help introduce English-speaking audiences to Viet Nam’s amazing body of artwork, ranging from the first millennium B.C. to the 18th century.

The authors begin by discussing, for example, the elegant burial jars, iron axes, bronze artifacts, and jewelry of the early Sa Huynh culture; the bronze ritual drums of the Dong Son; and the jeweled gold pieces, excavated from the walled center of Oc Eo in the kingdom of Fu Nan. New scholarship investigates the trade in gold and Chinese ceramics between Cham and the Philippine kingdom of Butuan. The final section is devoted to art from Hoi An, once a major international port. Of note are the ceramic wares produced in northern and central Viet Nam from the 16th to 18th century.

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by Graham Allison, Roert D. Blackwill and Ali Wyne. Foreword by Henry A. Kissinger
Belfer Center Studies in International Security, 2013

When Lee Kuan Yew speaks, presidents, prime ministers, diplomats, and CEOs listen. Lee, the founding father of modern Singapore and its prime minister from 1959 to 1990, has honed his wisdom during more than fifty years on the world stage. Almost single-handedly responsible for transforming Singapore into a Western-style economic success, he offers a unique perspective on the geopolitics of East and West. American presidents from Richard Nixon to Barack Obama have welcomed him to the White House; British prime ministers from Margaret Thatcher to Tony Blair have recognized his wisdom; and business leaders from Rupert Murdoch to Rex Tillerson, CEO of Exxon Mobil, have praised his accomplishments. This book gathers key insights from interviews, speeches, and Lee’s voluminous published writings and presents them in an engaging question and answer format.

Lee offers his assessment of China’s future, asserting, among other things, that “China will want to share this century as co-equals with the U.S.” He affirms the United States’ position as the world’s sole superpower but expresses dismay at the vagaries of its political system. He offers strategic advice for dealing with China and goes on to discuss India’s future, Islamic terrorism, economic growth, geopolitics and globalization, and democracy. Lee does not pull his punches, offering his unvarnished opinions on multiculturalism, the welfare state, education, and the free market. This little book belongs on the reading list of every world leader — including the one who takes the oath of office on January 20, 2013.

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by Tom Plate
Giants of Asia Series, 2010

Imagine the delight and challenge of entering into a one-on-one political and personal conversation with the founding father of modern Singapore. This is exactly the timely treat that awaits you in Conversations with Lee Kuan Yew. The first in the Giants of Asia series, this succinct, penetrating, richly detailed and candid book on Lee Kuan Yew represents the Asian legend s first extended conversation with a Western journalist. The result is often surprising, sometimes startling, occasionally humorous and never, ever dull. Enter into the mind of this controversial but internationally respected political leader and pioneer, through the eyes and ears of one of America’s leading journalists on Asia.

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by Lee Kuan Yew
Straits Times Press, 2011

This collection of essays offers insightful views of the origins of egalitarianism, political autonomy, and social solidarity among small-scale societies in Southeast Asia. Theoretically reflective and rich in ethnographic details, the volume provides a solid foundation for further research on social solidarity and small-scale societies.

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by Ang Cheng Guan
Routledge, 2012

Lee Kuan Yew, as the founding father of independent Singapore, has had an enormous impact on the development of Singapore and of Southeast Asia more generally. Even in his 80s he is a key figure who continues to exert considerable influence from behind the scenes. This book presents a comprehensive overview of Lee Kuan Yew’s strategic thought. It charts the development of Singapore over the last six decades, showing how Lee Kuan Yew has steered Singapore to prosperity and success through changing times. It analyses the factors underlying Lee Kuan Yew’s thinking, discusses his own writings and speeches, and shows how his thinking on foreign policy, security and international relations has evolved over time.

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by Lee Kuan Yew
Straits Times Press, 2011

In My Lifelong Challenge, we learn of the many policy adjustments and the challenges Lee Kuan Yew encountered – from Chinese language chauvinists who wanted Chinese to be the preeminent language in Singapore, from Malay and Tamil community groups fearing that Chinese was being given too much emphasis, from parents of all races wanting an easier time for their school-going children, from his own Cabinet colleagues questioning his assumptions about language. We learn of the pain of teachers forced to switch from teaching in Chinese to teaching in English almost overnight, and of students who were caught in the transition from a Chinese medium of instruction to an English one. My Lifelong Challenge is also the story of Lee’s own struggle to learn the Chinese language. This book describes vividly his steely determination to improve his Chinese and reclaim his Chinese heritage, right up to the present when he is well into his 80s. Lee distils his experiences of 50 years into eight precepts that he spells out at the end of his narrative.

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by Robert L. Winzeler
AltaMira Press, 2011

Southeast Asia is a remarkably diverse region: geographically, of mountains and lowlands, coasts and interior; ecologically, of hunters/gatherers, swidden cultivators, agriculturalists, and city dwellers; religiously, of multiple indigenous practices coexisting with the world’s largest formal religions–Buddhism, Christianity (both Catholic and Protestant), Islam, and Hinduism. Winzeler (emer., anthropology, Univ. of Nevada, Reno) captures all of this in his remarkably inclusive book, a rare and very useful attempt to encompass the complete region, both the northern mainland and the southern islands. He succeeds by simultaneously sketching the region and the anthropological efforts to understand it, alternating broad-brush generalization with focused case example. This is a book, then, that is valuable as a resource both on the region and on how people have tried to understand it. Although the book as a whole is an essential reference, the three chapters that outline the range of religious beliefs and practices (including the difficult subject of conversion) deserve particular note for their insight and balance. Winzeler also provides a thoughtful review, pro and con, of tourism. (CHOICE 20111001)

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edited by Timothy P. Daniels
Palgrove Macmillan, 2013

The Muslim-majority nations of Malaysia and Indonesia are famous for their extraordinary arts and Islamic revival movements. Using ethnographic methods to analyze performance text, social and historical context, and local perspectives, the contributors to this volume address how pious notions and practices intersect with contemporary religio-ethical projects and sociopolitical dynamics. This collection provides an extensive view of dance, music, television series, and film in rural, urban, and mass-mediated contexts and how pious Islamic discourses are encoded and embodied in these public cultural forms.

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edited by Thomas Gibson and Kenneth Sillander
Palgrave Macmillan, 2011

This collection of essays offers insightful views of the origins of egalitarianism, political autonomy, and social solidarity among small-scale societies in Southeast Asia. Theoretically reflective and rich in ethnographic details, the volume provides a solid foundation for further research on social solidarity and small-scale societies.

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by Kevin Conru
5Continents, 2008

The final volume in the three part Hugo Bernatzik series explores the Austrian photographer’s work undertaken in Southeast Asia, during a time when he was at the height of his powers, both technically, artistically, and from an anthropological perspective.

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by Robert L. Winzeler
Cambridge University Press, 2008

Latah, the Malayan hyperstartle pattern, has fascinated Western observers since the late nineteenth century and is widely regarded as a “culture-bound syndrome.” Robert Winzeler critically reviews the literature on the subject, and presents new ethnographic information based on his own fieldwork in Malaya and Borneo. He considers the biological and psychological hypotheses that have been proposed to account for latah, and explains the ways in which local people understand it. Arguing that latah has specific social functions, he concludes that it is not appropriate to regard it as an “illness” or a “syndrome.”

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