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	<title>The Center for Southeast Asian Studies &#187; Countries</title>
	<atom:link href="http://www.cseashawaii.org/wordpress/category/countries/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.cseashawaii.org/wordpress</link>
	<description>University of Hawaii at Manoa</description>
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		<title>West Sumatran Minangkabau Traditions: Special Randai Performance &amp; Lecture</title>
		<link>http://www.cseashawaii.org/wordpress/2012/02/minangkabau-performance/</link>
		<comments>http://www.cseashawaii.org/wordpress/2012/02/minangkabau-performance/#comments</comments>
		<pubDate>Fri, 03 Feb 2012 01:20:07 +0000</pubDate>
		<dc:creator>Pahole Sookkasikon</dc:creator>
				<category><![CDATA[Events]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Indonesia]]></category>
		<category><![CDATA[Performance]]></category>
		<category><![CDATA[Doris Duke Foundation]]></category>
		<category><![CDATA[Islamic Art]]></category>
		<category><![CDATA[Minangkabau]]></category>
		<category><![CDATA[Randai]]></category>

		<guid isPermaLink="false">http://www.cseashawaii.org/wordpress/?p=8884</guid>
		<description><![CDATA[Doris Duke Foundation presents a special lecture and performance on Minangkabau traditions.]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/02/Screen-shot-2012-02-02-at-3.05.16-PM.png"><img src="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/02/Screen-shot-2012-02-02-at-3.05.16-PM-300x48.png" alt="" title="Screen shot 2012-02-02 at 3.05.16 PM" width="300" height="48" class="alignnone size-medium wp-image-8885" /></a></p>
<p><strong>West Sumatran Minangkabau Traditions: A Randai Theatre Performance and Illustrated Lecture by Edy Utama</strong></p>
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<td><strong>Where:</strong></td>
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<p>Shangri La, Doris Duke Foundation for Islamic Art<br />
4055 Papu Circle<br />
Honolulu, HI 96816</p>
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<td><strong>When:</strong></td>
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<p>Saturday, February 4, 2012<br />
1:30 &#8211; 3:30 p.m.</p>
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<td><strong>Schedule:</strong></td>
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<p>1:30 &#8211; 2:00 p.m. Open House<br />
2:00 &#8211; 3:00 p.m. Concert/Lecture<br />
3:00 &#8211; 3:30 p.m. Refreshments</p>
<p><a href="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/02/artc.jpg"><img src="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/02/artc-300x201.jpg" alt="" title="20010130 FTR flute 3" width="300" height="201" class="alignnone size-medium wp-image-8887" /></a></p>
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<td><strong>Précis:</strong></td>
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<p>West Sumatran Minangkabau culture is the result of a long process of dialogue between various world cultures with a matrilineal kinship system in combination with Islamic religion. This salon focuses on elements of Minangkabau culture beginning with dance and musical selections from the Randai theatre production The Genteel Sabai performed by students from the University of Hawai&#8217;i at Manoa Theatre and Dance Department. Sumatran Minang cultural expert, scholar, and photographer Edy Utama, will follow the performance with an illustrated talk, Contemporary West Sumatran Minangkabau Traditions with the aid of interpreter, Rohayati Paseng. The talk will focus on the characteristics that make up this unique culture and the ways in which the culture is changing due to pressure from the Indonesian government and an increasingly westernized world.</p>
<p><a href="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/02/Randai-Art-430x285.jpg"><img src="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/02/Randai-Art-430x285-300x198.jpg" alt="" title="Randai-Art-430x285" width="300" height="198" class="alignnone size-medium wp-image-8888" /></a></p>
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<td><strong>Ticket Price:</strong></td>
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</tbody>
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<p>$15 per person<br />
<a href="https://events.r20.constantcontact.com/register/eventReg?llr=a8aasceab&#038;oeidk=a07e5j2g528c37f7623&#038;oseq=a003ggbjsfq9" target="_blank">Register Now!</a></p>
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<td><strong>Parking:</strong></td>
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<p>Please note there is no parking at Shangri La or in the surrounding neighborhood. Access to Shangri La is by shuttle van only.<br />
Van service to Shangri La will begin at 1:15 p.m. from the Kapi&#8217;olani Community College, parking lot B.</p>
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<td><strong>About Us:</strong></td>
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<p>The mission of the Doris Duke Foundation for Islamic Art is to promote the study and understanding of Islamic arts and cultures. In the context of the increasing tension between the U.S. and the Muslim world, DDFIA plays a unique role in the growing dialogue among scholars, artists and the public about how to help cultivate mutual understanding. </p>
<p><a href="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/02/4.jpg"><img src="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/02/4-300x199.jpg" alt="" title="-4" width="300" height="199" class="alignnone size-medium wp-image-8889" /></a></p>
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		<item>
		<title>Photography: Scars of Cambodia&#8217;s War (Maureen Lambray/Umbrage)</title>
		<link>http://www.cseashawaii.org/wordpress/2012/02/photography-cambodian-scars/</link>
		<comments>http://www.cseashawaii.org/wordpress/2012/02/photography-cambodian-scars/#comments</comments>
		<pubDate>Thu, 02 Feb 2012 22:21:35 +0000</pubDate>
		<dc:creator>Pahole Sookkasikon</dc:creator>
				<category><![CDATA[Cambodia]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Resources]]></category>
		<category><![CDATA[Khmer Rouge]]></category>
		<category><![CDATA[New York Times]]></category>
		<category><![CDATA[Photography]]></category>

		<guid isPermaLink="false">http://www.cseashawaii.org/wordpress/?p=8771</guid>
		<description><![CDATA[CSEAS would like to share amazing photography of the aftermath of the Khmer Rouge.]]></description>
			<content:encoded><![CDATA[<p>The scars of Cambodia’s wars and genocide are more than psychic: this little nation in the heart of Southeast Asia is one of the most densely mined places on earth. And like those mines, the legacy of Pol Pot’s Khmer Rouge exacts a constant — and hidden — toll, leaving the country mostly poor, politically repressive, corrupt and violent.</p>
<p>It was only last month that a trial of the three surviving Khmer Rouge leaders got under way, reviving buried memories for many traumatized Cambodians.</p>
<p><a href="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/Screen-shot-2011-12-02-at-4.07.58-PM.png"><img src="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/Screen-shot-2011-12-02-at-4.07.58-PM-259x300.png" alt="" title="Screen shot 2011-12-02 at 4.07.58 PM" width="259" height="300" class="alignnone size-medium wp-image-8772" /></a></p>
<p><a href="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/Screen-shot-2011-12-02-at-4.08.14-PM.png"><img src="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/Screen-shot-2011-12-02-at-4.08.14-PM-298x300.png" alt="" title="Screen shot 2011-12-02 at 4.08.14 PM" width="298" height="300" class="alignnone size-medium wp-image-8773" /></a></p>
<p>In her meditation on the scars of war in Cambodia, “War Remnants of the Khmer Rouge” (Umbrage Books, October 2011), the photographer Maureen Lambray has chosen to emphasize portraits of badly maimed victims of the land mines that were mostly laid during the wars that preceded and followed the Khmer Rouge rule. The quiet mood of her carefully composed and lit portraits of land-mine victims, as they stare intently into the camera, belies the horror of their mutilation.</p>
<p>“I began documenting the people and haunted sites,” she wrote in the book’s preface. “It seems half the population are still missing arms, legs, fathers and mothers.”</p>
<p>Over the last three decades, land mines have caused more than 63,900 deaths and injuries, Helen Clark, the development chief of the United Nations, said at a major international conference on land mines now under way in Phnom Penh.</p>
<p><a href="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/Screen-shot-2011-12-02-at-4.08.27-PM.png"><img src="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/Screen-shot-2011-12-02-at-4.08.27-PM-296x300.png" alt="" title="Screen shot 2011-12-02 at 4.08.27 PM" width="296" height="300" class="alignnone size-medium wp-image-8774" /></a></p>
<p><a href="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/Screen-shot-2011-12-02-at-4.08.37-PM.png"><img src="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/Screen-shot-2011-12-02-at-4.08.37-PM-253x300.png" alt="" title="Screen shot 2011-12-02 at 4.08.37 PM" width="253" height="300" class="alignnone size-medium wp-image-8776" /></a></p>
<p>Apart from these broken bodies, Ms. Lambray’s camera also captures the desolation of ruined buildings and forbidding forests in a land populated by ghosts. In a more direct reference to Pol Pot’s atrocities, she shows an empty corridor at Tuol Sleg Prison, where thousands of people were tortured and sent to a killing field, enclosed by barbed wire to prevent them from jumping to their deaths.</p>
<p>Like her other work, Ms. Lambray’s photographs combine journalistic coverage — sometimes at personal risk — with artistic composition.</p>
<p>In 1979, Yassir Arafat invited her to Beirut for an in-depth look at the Palestine Liberation Organization. The following year, she covered the Soviet invasion of Afghanistan, disguising herself at one point as an Afghan man. And in 1994, she was caught up in the Zapatista uprising in Mexico during a project to document obscure Indian tribes.</p>
<p><a href="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/Screen-shot-2011-12-02-at-4.08.52-PM.png"><img src="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/Screen-shot-2011-12-02-at-4.08.52-PM-255x300.png" alt="" title="Screen shot 2011-12-02 at 4.08.52 PM" width="255" height="300" class="alignnone size-medium wp-image-8777" /></a></p>
<p><a href="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/Screen-shot-2011-12-02-at-4.09.02-PM.png"><img src="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/Screen-shot-2011-12-02-at-4.09.02-PM-298x300.png" alt="" title="Screen shot 2011-12-02 at 4.09.02 PM" width="298" height="300" class="alignnone size-medium wp-image-8778" /></a></p>
<p>Her first encounter with Cambodia came in 1979 when she chronicled the lives of refugees in camps along the Thai border where hundreds of thousands of people had fled as the Khmer Rouge regime collapsed. She returned to Cambodia in 2003 and said she was stunned to see how little the country had recovered.</p>
<p>“The government has begun spiriting away the maimed Cambodians as more tourists flock to their country,” she wrote in her preface. “We need images as reminders of how quickly genocide can happen, and the past become the present.”</p>
<p><a href="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/Screen-shot-2011-12-02-at-4.09.18-PM.png"><img src="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/Screen-shot-2011-12-02-at-4.09.18-PM-246x300.png" alt="" title="Screen shot 2011-12-02 at 4.09.18 PM" width="246" height="300" class="alignnone size-medium wp-image-8779" /></a></p>
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<td><strong>A killing cave southwest of Battembang where the Khmer Rouge pushed victims through a hole in the roof to fall to their death.</strong></td>
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<p><a href="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/Screen-shot-2011-12-02-at-4.09.26-PM.png"><img src="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/Screen-shot-2011-12-02-at-4.09.26-PM-258x300.png" alt="" title="Screen shot 2011-12-02 at 4.09.26 PM" width="258" height="300" class="alignnone size-medium wp-image-8782" /></a></p>
<p><a href="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/Screen-shot-2011-12-02-at-4.09.43-PM.png"><img src="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/Screen-shot-2011-12-02-at-4.09.43-PM-258x300.png" alt="" title="Screen shot 2011-12-02 at 4.09.43 PM" width="258" height="300" class="alignnone size-medium wp-image-8783" /></a></p>
<p><a href="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/Screen-shot-2011-12-02-at-4.09.48-PM.png"><img src="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/Screen-shot-2011-12-02-at-4.09.48-PM-295x300.png" alt="" title="Screen shot 2011-12-02 at 4.09.48 PM" width="295" height="300" class="alignnone size-medium wp-image-8785" /></a></p>
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<td><strong>A mined jungle in Kampot.</strong></td>
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<p><a href="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/Screen-shot-2011-12-02-at-4.09.58-PM.png"><img src="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/Screen-shot-2011-12-02-at-4.09.58-PM-294x300.png" alt="" title="Screen shot 2011-12-02 at 4.09.58 PM" width="294" height="300" class="alignnone size-medium wp-image-8787" /></a></p>
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<td><strong>A torture room inside S-21.</strong></td>
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<p>Photography and the article were taken from a piece by journalist, Seth Mydans, for the <a href="http://lens.blogs.nytimes.com/2011/12/01/postwar-cambodia-missing-arms-legs-fathers-and-mothers/#" target="_blank">New York Times</a>. The original article was originally released on December 1, 2011, at 1:00 pm.</p>
<div class="printfriendly align"><a href="http://www.cseashawaii.org/wordpress/2012/02/photography-cambodian-scars/?pfstyle=wp" rel="nofollow" ><img src="//cdn.printfriendly.com/pf-print-icon.gif" alt="Print Friendly"/><span class="printandpdf printfriendly-text"> Print <img src="//cdn.printfriendly.com/pf-pdf-icon.gif" alt="Get a PDF version of this webpage" /> PDF </span></a></div>]]></content:encoded>
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		<item>
		<title>Bookshelf Spotlight: Anna Leonowens, Siam, and &#8220;The King &amp; I&#8221;</title>
		<link>http://www.cseashawaii.org/wordpress/2012/01/bs-anna-leonowens/</link>
		<comments>http://www.cseashawaii.org/wordpress/2012/01/bs-anna-leonowens/#comments</comments>
		<pubDate>Wed, 01 Feb 2012 02:11:34 +0000</pubDate>
		<dc:creator>Pahole Sookkasikon</dc:creator>
				<category><![CDATA[Bookshelf Spotlight]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Publications]]></category>
		<category><![CDATA[Thailand]]></category>
		<category><![CDATA[anna leonowens]]></category>
		<category><![CDATA[mongkut]]></category>
		<category><![CDATA[siam]]></category>
		<category><![CDATA[victorian literature]]></category>

		<guid isPermaLink="false">http://www.cseashawaii.org/wordpress/?p=8828</guid>
		<description><![CDATA[CSEAS presents the Bookshelf Spotlight on Anna Leonowens, "The King &#038; I," and Siam]]></description>
			<content:encoded><![CDATA[<div id="Top"><strong>Featured University Of Hawai&#8217;i Press Publishing</strong></div>
<p>* <a href="#mapped">Siam Mapped: A History of the Geo-Body of a Nation</a></p>
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<td><strong>Siam Mapped: A History of the Geo-Body of a Nation</strong></td>
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<p><a href="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/UH-Siam-Mapped.png"><img src="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/UH-Siam-Mapped.png" alt="" title="(UH) Siam Mapped" width="164" height="240" class="alignnone size-full wp-image-8829" /></a><br />
by Thongchai Winichakul<br />
University Of Hawai&#8217;i Press, 1994</p>
<p>This unusual and intriguing study of nationhood explores the 19th-century confrontation of ideas that transformed the kingdom of Siam into the modern conception of a nation. Siam Mapped challenges much that has been written on Thai history because it demonstrates convincingly that the physical and political definition of Thailand on which other works are based is anachronistic.</p>
<p><a href="http://www.uhpress.hawaii.edu/p-518-9780824819743.aspx" target="_blank">University Of Hawai&#8217;i Press</a> | <a href="http://www.goodreads.com/book/show/198898.Siam_Mapped" target="_blank">Goodreads</a> | <a href="http://www.amazon.com/Siam-Mapped-History-Geo-Body-Nation/dp/0824819748/ref=sr_1_1?ie=UTF8&#038;qid=1327963028&#038;sr=8-1" target="_blank">Amazon</a> | <a href="http://books.google.com/books?id=TJEK4sHPlUsC&#038;printsec=frontcover&#038;dq=siam+mapped&#038;hl=en&#038;sa=X&#038;ei=rxsnT-7LO4qUiQKBg-C-AQ&#038;ved=0CEEQ6AEwAA#v=onepage&#038;q=siam%20mapped&#038;f=false" target="_blank">Google Books</a></p>
<div id="Top"><strong>Featured Books</strong></div>
<p>* <a href="#governess">The English Governess At The Siamese Court</a><br />
* <a href="#anna">Anna and the King of Siam</a><br />
* <a href="#romance">Romance of the Harem</a><br />
* <a href="#bombay">Bombay Anna: The Real Story and Remarkable Adventures of the King and I Governess</a><br />
* <a href="#mongkut">Mongkut the King of Siam</a></p>
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<td><strong>The English Governess At The Siamese Court</strong></td>
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<p><a href="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/128409-L.jpg"><img src="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/128409-L-194x300.jpg" alt="" title="128409-L" width="194" height="300" class="alignnone size-medium wp-image-8845" /></a><br />
by Anna Leonowens<br />
Oxford University Press, USA; 1st edition (March 17, 1989), Originally published in 1870 </p>
<p>The English Governess at the Siamese Court: Being Recollections of Six Years in the Royal Palace at Bangkok (1870) vividly recounts the experiences of one Anna Harriette Leonowens as governess for the sixty-plus children of King Mongkut of Siam, English teacher for his entire royal family, and translator and scribe for the King himself. Bright, young, and energetic, Leonowens was well-suited to these roles, and her writings convey a heartfelt interest in the lives, legends, and languages of Siam&#8217;s rich and poor. She also tells of how she and the King often disagreed on matters domestic. After all, this was the first time King Mongkut had met a woman who dared to contradict him, and the governess found the very idea of male domination intolerable. Overworked and underpaid, Leonowens would eventually resign, but her exchanges with His Majesty&#8211;heated and otherwise&#8211;on topics like grammar, charity, slavery, politics, and religion add much to her diary&#8217;s rich, cross-cultural spirit, its East-meets-West appeal.</p>
<p>Over the years, that appeal has only increased. Eighty years after it first appeared, this memoir inspired the popular book and film, Anna and the King of Siam, and a few years later the hit musical, The King and I. Now comes yet another version, Anna and the King, the new film starring Jodie Foster and Chow Yun Fat. Here, then, is the original tale, presented with many reproductions of the fine drawings that the King had offered as gifts to Leonowens. The English Governess at the Siamese Court remains engaging as a story of adventure, fascinating as a picture of nineteenth-century Bangkok, and intriguing as an account of life inside King Mongkut&#8217;s palace.</p>
<p><a href="http://www.goodreads.com/book/show/1289501.The_English_Governess_and_the_Siamese_Court" target="_blank">Goodreads</a> | <a href="http://www.amazon.com/English-Governess-Siamese-Court-Recollections/dp/0195888979/ref=pd_vtp_b_4" target="_blank">Amazon</a> | <a href="http://books.google.com/books?id=vMQF3tl3pioC&#038;printsec=frontcover&#038;dq=english+governess+siamese&#038;hl=en&#038;sa=X&#038;ei=fJYoT7_BAc7QiAKez-CmAQ&#038;ved=0CDUQ6AEwAA#v=onepage&#038;q=english%20governess%20siamese&#038;f=false" target="_blank">Google Books</a></p>
</div>
<p><a href="#Top">Return to Top</a></p>
<div id="anna">
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<td><strong>Anna and the King of Siam</strong></td>
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</table>
<p><a href="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/Anna%26King.jpg"><img src="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/Anna%26King-203x300.jpg" alt="" title="Anna%26King" width="203" height="300" class="alignnone size-medium wp-image-8855" /></a><br />
by Margaret Landon<br />
Harper Paperbacks, 1999; Originally published in 1944</p>
<p>Anna Leonowens, a proper Englishwoman, was an unlikley candidate to change the course of Siamese (Thai) history. A young widow and mother, her services were engaged in the 1860&#8242;s by King Mongkut of Siam to help him communicate with foreign governments and be the tutor to his children and favored concubines. Stepping off the steamer from London, Anna found herself in an exotic land she could have only dreamed of lush landscape of mystic faiths and curious people, and king&#8217;s palace bustling with royal pageantry, ancient custom, and harems. One of her pupils, the young prince Chulalongkorn, was particularly influenced by Leonowens and her Western ideals. He learned about Abraham Lincoln and the tenets of democracy from her, and years later he would become Siam&#8217;s most progressive king. He guided the country&#8217;s transformation from a feudal state to a modern society, abolshing slavery and making many other radical reforms.</p>
<p>Weaving meticulously researched facts with beautifully imagined scenes, Margret Landon recreates an unforgettable portrait of life in a forgotten extotic land. Written more than fifty years ago, and translated into dozens of languages, &#8221; Anna and the King of Siam &#8220;(the inspiration for the magical play and film &#8220;The King and I&#8221;)continues to delight and enchant readers around the world.</p>
<p><a href="http://www.harpercollins.com/books/Anna-and-the-King-of-Siam-Margaret-Landon?isbn=9780060954888&#038;HCHP=TB_Anna+and+the+King+of+Siam" target="_blank">Harper Paperbacks</a> | <a href="http://www.goodreads.com/book/show/1284085.Anna_and_the_King_of_Siam" target="_blank">Goodreads</a> | <a href="http://www.amazon.com/Anna-King-Siam-Margaret-Landon/dp/0899667538/ref=sr_1_1?s=books&#038;ie=UTF8&#038;qid=1328060351&#038;sr=1-1" target="_blank">Amazon</a> | <a href="http://books.google.com/books?id=eT7kytFngOsC&#038;printsec=frontcover&#038;dq=margaret+landon+anna&#038;hl=en&#038;sa=X&#038;ei=1JcoT-z-C6TTiALgvNmhAQ&#038;ved=0CDYQ6AEwAA#v=onepage&#038;q=margaret%20landon%20anna&#038;f=false" target="_blank">Google Books</a></p>
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<div id="romance">
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<td><strong>Romance of the Harem</strong></td>
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</table>
<p><a href="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/Screen-shot-2012-01-27-at-1.05.49-PM.png"><img src="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/Screen-shot-2012-01-27-at-1.05.49-PM-189x300.png" alt="" title="Screen shot 2012-01-27 at 1.05.49 PM" width="189" height="300" class="alignnone size-medium wp-image-8856" /></a><br />
by Anna Leonowens<br />
University of Virginia Press, 1991; Originally published in 1873</p>
<p>The author is Anna Leonowens, the lovely English governess to the children of the King of Siam whose story is immortalized, highly romanticized in the Rogers &#038; Hammerstein musical “The King and I” (1951). “Truth is often stranger than fiction,” writes Leonowens. Fiction based on fact, embellished to fascinate the reader and get the point across, is perhaps a more precise description of all the gruesome torture and persecutions of the ladies of the harem by the King who was a Buddhist monk and abbot for 26 years before ascending to the throne.</p>
<p>King Mongkut’s harem was so immense it encompassed an enormous complex within the Grand Palace in Bangkok called the Nang Harm (&#8220;Veiled Women&#8221;), surrounded by a high wall, housing the royal princesses, wives, and concubines of the king. It was a world of its own, complete with Amazon-women guards, prisons, judges and executioners, but also schools and theaters. Here the women carried out their connubial duty to produce the king’s heirs. When King Mongkut died he left behind 66 royal children.</p>
<p>After five years, Anna Leonowens left, traveling to England and Ireland before settling in the United States and eventually Canada, where she once again supported herself by teaching.</p>
<p><a href="http://books.google.com/books/p/university_of_virginia_press2?id=M0Aso0P4oWcC&#038;printsec=frontcover&#038;dq=romance+harem&#038;cd=1#v=onepage&#038;q=romance%20harem&#038;f=false" target="_blank">University of Washington Press</a> | <a href="http://www.goodreads.com/book/show/519168.The_Romance_of_the_Harem" target="_blank">Goodreads</a> | <a href="http://www.amazon.com/Romance-Harem-Anna-Harriette-Leonowens/dp/1150316640/ref=sr_1_1?s=books&#038;ie=UTF8&#038;qid=1328060802&#038;sr=1-1" target="_blank">Amazon</a> | <a href="http://books.google.com/books/p/university_of_virginia_press2?id=M0Aso0P4oWcC&#038;printsec=frontcover&#038;dq=romance+harem&#038;cd=1#v=onepage&#038;q=romance%20harem&#038;f=false" target="_blank">Amazon</a> </p>
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<div id="bombay">
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<td><strong>Bombay Anna: The Real Story and Remarkable Adventures of <em>the King and I</em> Governess</strong></td>
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</table>
<p><a href="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/Bombay-Anna1.png"><img src="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/Bombay-Anna1.png" alt="" title="Bombay Anna" width="187" height="299" class="alignnone size-full wp-image-8882" /></a><br />
by Susan Morgan<br />
University of California Press, 2008</p>
<p>If you thought you knew the story of Anna in The King and I, think again. As this riveting biography shows, the real life of Anna Leonowens was far more fascinating than the beloved story of the Victorian governess who went to work for the King of Siam. To write this definitive account, Susan Morgan traveled around the globe and discovered new information that has eluded researchers for years. Anna was born a poor, mixed-race army brat in India, and what followed is an extraordinary nineteenth-century story of savvy self-invention, wild adventure, and far-reaching influence. At a time when most women stayed at home, Anna Leonowens traveled all over the world, witnessed some of the most fascinating events of the Age of Empire, and became a well-known travel writer, journalist, teacher, and lecturer. She remains the one and only foreigner to have spent significant time inside the royal harem of Siam. She emigrated to the United States, crossed all of Russia on her own just before the revolution, and moved to Canada, where she publicly defended the rights of women and the working class. The book also gives an engrossing account of how and why Anna became an icon of American culture in The King and I and its many adaptations.</p>
<p><a href="http://www.ucpress.edu/book.php?isbn=9780520261631" target="_blank">University of California Press</a> | <a href="http://www.goodreads.com/book/show/3071736-bombay-anna" target="_blank">Goodreads</a> | <a href="http://www.amazon.com/Bombay-Anna-Remarkable-Adventures-Lilienthal/dp/0520261631/ref=sr_1_1?s=books&#038;ie=UTF8&#038;qid=1328060870&#038;sr=1-1" target="_blank">Amazon</a> | <a href="http://books.google.com/books?id=R5MIjgm1xjcC&#038;pg=PA63&#038;dq=bombay+anna&#038;hl=en&#038;sa=X&#038;ei=zpkoT7KGMsiuiQL046WdAQ&#038;ved=0CDcQ6AEwAA#v=onepage&#038;q=bombay%20anna&#038;f=false" target="_blank">Google Books</a></p>
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<div id="mongkut">
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<td><strong>Mongkut the King of Siam</strong></td>
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<p><a href="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/Screen-shot-2012-01-27-at-1.11.24-PM.png"><img src="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/Screen-shot-2012-01-27-at-1.11.24-PM-205x300.png" alt="" title="Screen shot 2012-01-27 at 1.11.24 PM" width="205" height="300" class="alignnone size-medium wp-image-8859" /></a><br />
by Abbot Low Moffat<br />
Cornell University Press; 1st Cornell Printing edition (1968)</p>
<p>In this fascinating biography, Moffat considers Mongkut to be one of the great men of Siam, and seeks to recover him from the well-loved fictions. Includes a number of black-and-white illustrations. He is skeptical of the reliability of Anna Leonowns accounts and analyzes some of them.</p>
<p>Must reading for the fans of Margaret Landon and the stage play / movies and people with an interest in Asian history. </p>
<p><a href="http://www.goodreads.com/book/show/11927324-mongkut-the-king-of-siam" target="_blank">Goodreads</a> | <a href="http://www.amazon.com/Mongkut-King-Siam-Abbot-Moffat/dp/B0018KF9DY/ref=sr_1_2?s=books&#038;ie=UTF8&#038;qid=1328061349&#038;sr=1-2" target="_blank">Amazon</a> | <a href="http://books.google.com/books?id=R7tuAAAAMAAJ&#038;q=mongkut+moffat&#038;dq=mongkut+moffat&#038;hl=en&#038;sa=X&#038;ei=5JwoT4a8IejZiQKRgOHMAQ&#038;ved=0CDIQ6AEwAA" target="_blank">Google Books</a></p>
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</div>
</div>
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		<title>Film Series: In the Navel of the Sea (Philippines)</title>
		<link>http://www.cseashawaii.org/wordpress/2012/01/in-the-navl-of-the-sea/</link>
		<comments>http://www.cseashawaii.org/wordpress/2012/01/in-the-navl-of-the-sea/#comments</comments>
		<pubDate>Tue, 31 Jan 2012 05:43:16 +0000</pubDate>
		<dc:creator>Ronald Gilliam</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Film Series Archive]]></category>
		<category><![CDATA[Philippines]]></category>
		<category><![CDATA[Film Series]]></category>

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		<description><![CDATA[Filmmaker Marilou Diaz-Abaya ventures into the realm of instinct andemotion in this unusual story about a male midwife. (on 2/1)]]></description>
			<content:encoded><![CDATA[<p><strong>Date: Wednesday 1 February 2012 @ 6:30 PM</strong><br />
<strong> Korean Studies Auditorium</strong></p>
<p><em>Director: Marilou Diaz-Abaya</em><br />
<em> Writer: Jun Lana</em><br />
<em> Cast: Jomari Yllana, Elizabeth Oropesa, Chin Chin Gutierrez, Pen Medina, Ronnie Lazaro</em></p>
<p>Filmmaker Marilou Diaz-Abaya ventures into the realm of instinct andemotion in this unusual story about a male midwife. In a remote fishing village during the American occupation, young Pepito (Jomari Yllana) grows up with no choice but to learn the trade of his mother, despite obvious embarrassment and prejudices. The real test of maturity comes when he ventures from the island (the nest, the navel) to the mainland (the real world). The script won the prestigious PALANCA literary award, and Diaz-Abaya manages to get outstanding performances from her actors with her economical, understated direction. ~ Gönül Dönmez-Colin, Rovi</p>
<p>This film was translated and subtitled by students in the film and translation course of Pia Arboleda, Assistant Professor of Filipino and Philippine Literature, Department of Indo-Pacific Languages and Literatures, University of Hawai’i.</p>
<p><em>Please note: Bring WARM clothes as the auditorium is heavily air-conditioned!!<br />
</em><br />
Distributor: http://www.kabayancentral.com<br />
Please support the distributor by purchasing all of their films!</p>
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		<title>Song of the Week: Ros Sereysothea រស់ សេរីសុទ្ធា (Cambodia)</title>
		<link>http://www.cseashawaii.org/wordpress/2012/01/ros-sereysothea/</link>
		<comments>http://www.cseashawaii.org/wordpress/2012/01/ros-sereysothea/#comments</comments>
		<pubDate>Sun, 29 Jan 2012 05:28:46 +0000</pubDate>
		<dc:creator>Ronald Gilliam</dc:creator>
				<category><![CDATA[Cambodia]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Song of the Week]]></category>
		<category><![CDATA[Music]]></category>

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		<description><![CDATA[This week we present the rockin' tunes of Ros Serevsothea with "Chnam Oun Dop-PramMuy"]]></description>
			<content:encoded><![CDATA[<p><object id="gsSong2956568536" width="550" height="40" classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="wmode" value="window" /><param name="allowScriptAccess" value="always" /><param name="flashvars" value="hostname=cowbell.grooveshark.com&amp;songIDs=29565685&amp;style=metal&amp;p=0" /><param name="src" value="http://grooveshark.com/songWidget.swf" /><param name="allowscriptaccess" value="always" /><embed id="gsSong2956568536" width="550" height="40" type="application/x-shockwave-flash" src="http://grooveshark.com/songWidget.swf" wmode="window" allowScriptAccess="always" flashvars="hostname=cowbell.grooveshark.com&amp;songIDs=29565685&amp;style=metal&amp;p=0" allowscriptaccess="always" /></object></p>
<p><img class="alignleft size-thumbnail wp-image-8811" style="border-image: initial; margin-left: 5px; margin-right: 5px; border-width: 1px; border-color: black; border-style: solid;" title="3251372" src="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/32513721-150x150.jpg" alt="" width="135" height="135" /><strong>Ros Sereysothea</strong> (Khmer: រស់ សេរីសុទ្ធា) (1948 – 1977) was a famous Cambodian singer during the nation&#8217;s thriving cultural renaissance. She sang from a variety of genres but romantic ballads emerged as her most popular works. Despite a rather short career she is credited with producing hundreds of songs and even starring in a few movies. Details of her life and fate during the Khmer Rouge is relatively unknown but it is generally accepted she did not survive.</p>
<p>With the cultural upheaval by the Khmer Rouge, scant evidence of Ros Serey Sothea&#8217;s life remains. Her master recordings were either destroyed by the regime or deteriorated rapidly to the tropical environment due to lack of preservation. However, many vinyl recordings have survived and have gained reissues initially on tape cassettes and later on compact discs. Unfortunately many of these reissues are also remixed with extra beats usually overriding the original score. The vinyls from the master sources are thereby highly sought out by preservationist and collectors.</p>
<p>Nonetheless Sothea remained extremely popular even after her death in Cambodian communities scattered throughout the United States, France, Australia and Canada. Western interest in Sothea would not dawn until songs by Sothea, Sinn Sisamouth and other Cambodian singers of the era such as Meas Samoun, Choun Malai and Pan Ron, were featured on the soundtrack to Matt Dillon&#8217;s film City of Ghosts. Tracks by Sothea are &#8220;Have You Seen My Love&#8221;, &#8220;I&#8217;m Sixteen&#8221; and &#8220;Wait Ten Months&#8221;. The Los Angeles band Dengue Fever, which features Cambodian lead singer Chhom Nimol, covers a number of songs by Sothea and other singers from the short-lived but rich Cambodian rock and roll scene. The advent of the internet, undoubtly saved what was left of her discography while spreading and garnering interest in her music even after almost half a century later.</p>
<p style="text-align: center;"><object width="500" height="315" classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="allowFullScreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="src" value="http://www.youtube.com/v/JsZm0bgOZmo?version=3&amp;hl=en_US" /><param name="allowfullscreen" value="true" /><embed width="500" height="315" type="application/x-shockwave-flash" src="http://www.youtube.com/v/JsZm0bgOZmo?version=3&amp;hl=en_US" allowFullScreen="true" allowscriptaccess="always" allowfullscreen="true" /></object><a href="http://khmerization.blogspot.com/2007/12/queen-of-golden-voice-biography-of-ros.html" target="_blank">Biography Blog</a> | <a href="http://www.last.fm/music/Ros+Sereysothea" target="_blank">Last.fm</a> | <a href="http://www.thegoldenvoicemovie.com/" target="_blank">Ros Serevsothea Film</a> | <a href="http://khmermusic.thecoleranch.com/rossereysothea.html" target="_blank">Khmer Music Page</a></p>
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		<title>Bookshelf Spotlight: Thailand, Lèse-Majesté, and Her Monarchy</title>
		<link>http://www.cseashawaii.org/wordpress/2012/01/bookshelf-spotlight-thailand-monarchy/</link>
		<comments>http://www.cseashawaii.org/wordpress/2012/01/bookshelf-spotlight-thailand-monarchy/#comments</comments>
		<pubDate>Thu, 26 Jan 2012 03:05:31 +0000</pubDate>
		<dc:creator>Pahole Sookkasikon</dc:creator>
				<category><![CDATA[Bookshelf Spotlight]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Thailand]]></category>
		<category><![CDATA[Lèse-Majesté]]></category>
		<category><![CDATA[Monarchy]]></category>

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		<description><![CDATA[CSEAS presents the Bookshelf Spotlight on Thailand, Lèse-Majesté, and Her Monarchy]]></description>
			<content:encoded><![CDATA[<div id="Top"><strong>Featured University Of Hawai&#8217;i Press Publishing</strong></div>
<p>* <a href="#unsayable">Saying the Unsayable: Monarchy and Democracy in Thailand</a></p>
<div id="unsayable">
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<td><strong>Saying the Unsayable: Monarchy and Democracy in Thailand</strong></td>
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</tbody>
</table>
<p><a href="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/UH-Saying-the-Unsayable-Monarchy-and-Democracy-in-Thailand.png"><img src="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/UH-Saying-the-Unsayable-Monarchy-and-Democracy-in-Thailand.png" alt="" title="(UH) Saying the Unsayable - Monarchy and Democracy in Thailand" width="167" height="254" class="alignnone size-full wp-image-8712" /></a><br />
ed. Soren Ivarsson, &#038; Lotte Isager<br />
University Of Hawai&#8217;i Press, 2010</p>
<p>The Thai monarchy today is usually presented as both guardian of tradition and the institution to bring modernity and progress to the Thai people. It is moreover seen as protector of the nation. Scrutinizing that image, this volume reviews the fascinating history of the modern monarchy. It also analyses important cultural, historical, political, religious, and legal forces shaping the popular image of the monarchy and, in particular, of King Bhumibol Adulyadej. In this manner, the book offers valuable insights into the relationships between monarchy, religion and democracy in Thailand – topics that, after the September 2006 coup d’état, gained renewed national and international interest. </p>
<p><a href="http://www.uhpress.hawaii.edu/p-6690-9780824834159.aspx" target="_blank">University Of Hawai&#8217;i Press</a> | <a href="http://www.goodreads.com/book/show/8738227-understanding-islam-in-indonesia" target="_blank">Goodreads</a> | <a href="http://www.amazon.com/Understanding-Islam-Indonesia-Politics-Diversity/dp/0824834151/ref=sr_1_1?ie=UTF8&#038;qid=1327010377&#038;sr=8-1" target="_blank">Amazon</a> | <a href="http://books.google.com/books?id=ys8lAQAAMAAJ&#038;dq=Understanding+Islam+in+Indonesia:+Politics+and+Diversity&#038;hl=en&#038;sa=X&#038;ei=UZIYT_6gKYeMigKtyfGYCA&#038;ved=0CDQQ6AEwAA" target="_blank">Google Books</a></p>
<div id="Top"><strong>Featured Books</strong></div>
<p>* <a href="#lords">Lords of Things: The Fashioning of the Siamese Monarchy&#8217;s Modern Image</a><br />
* <a href="#monarchy">Monarchy in South East Asia: The Faces of Tradition in Transition</a><br />
* <a href="#beloved">Nai Luang Beloved King of Thailand: A History of the Chakri Dynasty</a><br />
* <a href="#smiles">The King Never Smiles: A Biography of Thailand&#8217;s Bhumibol Adulyadej</a><br />
* <a href="#defamation">Truth on Trial in Thailand: Defamation, Treason, and Lèse-Majesté</a></p>
<div id="lords">
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<td><strong>Lords of Things: The Fashioning of the Siamese Monarchy&#8217;s Modern Image</strong></td>
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</tbody>
</table>
<p><a href="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/Lords-of-Things-The-Fashioning-of-the-Siamese-Monarchys-Modern-Image.png"><img src="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/Lords-of-Things-The-Fashioning-of-the-Siamese-Monarchys-Modern-Image-208x300.png" alt="" title="Lords of Things - The Fashioning of the Siamese Monarchy&#039;s Modern Image" width="208" height="300" class="alignnone size-medium wp-image-8713" /></a><br />
by Maurizio Peleggi<br />
University Of Hawai&#8217;i Press, 2002 </p>
<p>Lords of Things offers an intriguing interpretation of modernity in late nineteenth and early twentieth century Siam by focusing on the novel material possessions and social practices adopted by the royal elite to refashion its self and public image in the early stages of globalization. It examines the westernized modes of consumption and self-presentation, the residential and representational architecture, and the public spectacles appropriated by the Bangkok court not as byproducts of institutional reformation initiated by modernizing sovereigns, but as practices and objects constitutive of the very identity of the royalty as a civilized and civilizing class.</p>
<p>Bringing a wealth of new source material into a theoretically informed discussion, Lords of Things will be required reading for historians of Thailand and Southeast Asia scholars generally. It represents a welcome change from previous studies of Siamese modernization that are almost exclusively concerned with the institutional and economic dimensions of the process or with foreign relations, and will appeal greatly to those interested in transnational cultural flows, the culture of colonialism, the invention of tradition, and the relationship between consumption and identity formation in the modern era.</p>
<p><a href="http://www.goodreads.com/book/show/6466024-lords-of-things" target="_blank">Goodreads</a> | <a href="http://www.amazon.com/Lords-Things-Fashioning-Siamese-Monarchys/dp/0824825586/ref=sr_1_1?ie=UTF8&#038;qid=1327545164&#038;sr=8-1" target="_blank">Amazon</a> | <a href="http://books.google.com/books?id=msufRbdtFBoC&#038;pg=PA180&#038;dq=lord+of+things+siamese&#038;hl=en&#038;sa=X&#038;ei=ersgT4KYNOaaiQK4qKjVBw&#038;ved=0CDQQ6AEwAA#v=onepage&#038;q&#038;f=false" target="_blank">Google Books</a></p>
</div>
<p><a href="#Top">Return to Top</a></p>
<div id="monarchy">
<table width="100%" border="0" bgcolor="#d7d7d7">
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<td><strong>Monarchy in South East Asia: The Faces of Tradition in Transition</strong></td>
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<p><a href="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/Monarchy-in-South-East-Asia-The-Faces-of-Tradition-in-Transition.png"><img src="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/Monarchy-in-South-East-Asia-The-Faces-of-Tradition-in-Transition-197x300.png" alt="" title="Monarchy in South East Asia - The Faces of Tradition in Transition" width="197" height="300" class="alignnone size-medium wp-image-8714" /></a><br />
by Roger Kershaw<br />
Routledge, 2000</p>
<p>This title is the first study to relate the history and contemporary role of the South East Asian monarchy to the politics of the region today. Comprehensive &#038; up-to-date, Monarchy in South East Asia features an historical and political overview of Cambodia, Thailand, Malaysia, Brunei, Indonesia, Laos, as well as the region in general. The excellent coverage of this fascinating subject should be of interest to general reader as well as to specialists focusing on region.</p>
<p><a href="http://www.routledge.com/books/details/9780415243483/" target="_blank">Routledge</a> | <a href="http://www.goodreads.com/book/show/888192.Monarchy_in_South_East_Asia" target="_blank">Goodreads</a> | <a href="http://www.amazon.com/Monarchy-South-East-Asia-Transition/dp/0415243483/ref=sr_1_1?s=books&#038;ie=UTF8&#038;qid=1327545505&#038;sr=1-1" target="_blank">Amazon</a> | <a href="http://books.google.com/books?id=4zlI-xIG1oEC&#038;printsec=frontcover&#038;dq=Monarchy+in+South+East+Asia&#038;hl=en&#038;sa=X&#038;ei=qLwgT8MFpYuIAo_9seIH&#038;ved=0CDoQ6AEwAA#v=onepage&#038;q=Monarchy%20in%20South%20East%20Asia&#038;f=false" target="_blank">Google Books</a></p>
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<div id="beloved">
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<td><strong>Nai Luang Beloved King of Thailand: A History of the Chakri Dynasty</strong></td>
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<p><a href="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/Nai-Luang-Beloved-King-of-Thailand-A-History-of-the-Chakri-Dynasty.png"><img src="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/Nai-Luang-Beloved-King-of-Thailand-A-History-of-the-Chakri-Dynasty-198x300.png" alt="" title="Nai Luang Beloved King of Thailand - A History of the Chakri Dynasty" width="198" height="300" class="alignnone size-medium wp-image-8715" /></a><br />
by Tenzin Dawa<br />
ThaiSunset Publications, 2011</p>
<p>His Majesty King Bhumibol Adulyadej is divinely revered by Thais. Still, during His Majesty’s long reign of 65 years [as of 2011], the King has seen over 15 military coups, 16 constitutions, and 28 changes of prime ministers. The King has also used his influence to stop military coups, among others, including attempts in 1981 and 1985.</p>
<p>It has often been said that the independence and integrity of Thailand is assured by three unifying factors: its people&#8217;s carefree disposition, the tolerant Buddhist Religion, and the Thai Throne. For seven centuries Thailand has successfully survived as an independent country while countries all around in Southeast Asia disintegrated or fell victim of colonialist powers. For that reason, no Thai would now deny that as these unique and sacred institutions survive and flourish, so the Thai nation will also survive and flourish. Without either one of them, no one could foresee what Thailand would be like</p>
<p>King Bhumibol Adulyadej, Queen Sirikit, and the Heir-apparent are legally considered &#8220;inviolable&#8221; and criticism can result in three to fifteen years imprisonment; although the King said in his 2005 birthday speech that he would not be offended by lèse majesté, since &#8220;the King is human.&#8221;</p>
<p><a href="http://www.thaisunset.com/Publications/publications.HTML" target="_blank">ThaiSunset Publications</a> | <a href="http://www.goodreads.com/book/show/12817925-nai-luang-beloved-king-of-thailand-a-history-of-the-chakri-dynasty" target="_blank">Goodreads</a> | <a href="http://www.amazon.com/Nai-Luang-Beloved-King-Thailand/dp/1463697821/ref=sr_1_2?s=books&#038;ie=UTF8&#038;qid=1327545828&#038;sr=1-2" target="_blank">Amazon</a> </p>
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<td><strong>The King Never Smiles: A Biography of Thailand&#8217;s Bhumibol Adulyadej</strong></td>
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<p><a href="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/The-King-Never-Smiles.png"><img src="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/The-King-Never-Smiles-202x300.png" alt="" title="The King Never Smiles" width="202" height="300" class="alignnone size-medium wp-image-8716" /></a><br />
by Paul M. Handley<br />
Yale University Press, 2006</p>
<p>Thailand’s Bhumibol Adulyadej, the only king ever born in the United States, came to the throne of his country in 1946 and is now the world’s longest-serving monarch. The King Never Smiles, the first independent biography of Thailand&#8217;s monarch, tells the unexpected story of Bhumibol&#8217;s life and sixty-year rule—how a Western-raised boy came to be seen by his people as a living Buddha, and how a king widely seen as beneficent and apolitical could in fact be so deeply political and autocratic.</p>
<p>Paul Handley provides an extensively researched, factual account of the king’s youth and personal development, ascent to the throne, skillful political maneuverings, and attempt to shape Thailand as a Buddhist kingdom. Handley takes full note of Bhumibol&#8217;s achievements in art, in sports and jazz, and he credits the king&#8217;s lifelong dedication to rural development and the livelihoods of his poorest subjects. But, looking beyond the widely accepted image of the king as egalitarian and virtuous, Handley portrays an anti-democratic monarch who, together with allies in big business and the corrupt Thai military, has protected a centuries-old, barely modified feudal dynasty.</p>
<p>When at nineteen Bhumibol assumed the throne, the Thai monarchy had been stripped of power and prestige. Over the ensuing decades, Bhumibol became the paramount political actor in the kingdom, silencing critics while winning the hearts and minds of his people. The book details this process and depicts Thailand’s unique constitutional monarch—his life, his thinking, and his ruling philosophy.</p>
<p><a href="http://yalepress.yale.edu/yupbooks/book.asp?isbn=9780300106824" target="_blank">Yale University Press</a> | <a href="http://www.goodreads.com/book/show/149942.The_King_Never_Smiles" target="_blank">Goodreads</a> | <a href="http://www.amazon.com/King-Never-Smiles-Biography-Thailands/dp/0300106823/ref=sr_1_1?s=books&#038;ie=UTF8&#038;qid=1327546286&#038;sr=1-1" target="_blank">Amazon</a> | <a href="http://books.google.com/books?id=nDspKDZkgcQC&#038;printsec=frontcover&#038;dq=the+king+never+smiles&#038;hl=en&#038;sa=X&#038;ei=v78gT7XoOKLWiALsr_zSBw&#038;sqi=2&#038;ved=0CD8Q6AEwAA#v=onepage&#038;q=the%20king%20never%20smiles&#038;f=false" target="_blank">Google Books</a></p>
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<div id="defamation">
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<td><strong>Truth on Trial in Thailand: Defamation, Treason, and Lèse-Majesté</strong></td>
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<p><a href="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/Truth-on-Trial-in-Thailand-Defamation-Treason-and-Lèse-Majesté.png"><img src="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/Truth-on-Trial-in-Thailand-Defamation-Treason-and-Lèse-Majesté-190x300.png" alt="" title="Truth on Trial in Thailand - Defamation, Treason, and Lèse-Majesté" width="190" height="300" class="alignnone size-medium wp-image-8717" /></a><br />
by David Streckfuss<br />
Routledge, 2011</p>
<p>Since 2005, Thailand has been in crisis, with unprecedented political instability and the worst political violence seen in the country in decades. In the aftermath of a military coup in 2006, Thailand’s press freedom ranking plunged, while arrests for lèse-majesté have skyrocketed to levels unknown in the modern world. Truth on Trial in Thailand traces the 110-year trajectory of defamation-based laws in Thailand. The most prominent of these is lèse-majesté, but defamation aspects also appear in laws on sedition and treason, the press and cinema, anti-communism, contempt of court, insulting of religion, as well as libel. This book makes the case that despite the appearance of growing democratization, authoritarian structures and urges still drive politics in Thailand; the long-term effects of defamation law adjudication has skewed the way that Thai society approaches and perceives &#8220;truth.&#8221;</p>
<p>Employing the work of Habermas, Foucault, Agamben, and Schmitt to construct an alternative framework to understand Thai history, Streckfuss contends that Thai history has become &#8220;suspended&#8221; since 1958, and repeatedly declining to face the truth of history has set the stage for an endless state of crisis.</p>
<p>This book will be of interest to students and scholars of South East Asian politics, Asian history, and media and communication.</p>
<p><a href="http://www.routledge.com/books/details/9780415675741/" target="_blank">Routledge</a> | <a href="http://www.goodreads.com/book/show/10465661-truth-on-trial-in-thailand" target="_blank">Goodreads</a> | <a href="http://www.amazon.com/Truth-Trial-Thailand-Defamation-L%C3%A8se-Majest%C3%A9/dp/0415414253/ref=sr_1_1?s=books&#038;ie=UTF8&#038;qid=1327546529&#038;sr=1-1" target="_blank">Amazon</a> | <a href="http://books.google.com/books?id=i6Lfl2zbjUgC&#038;printsec=frontcover&#038;dq=Truth+on+Trial+in+Thailand:+Defamation,+Treason,+and+L%C3%A8se-Majest%C3%A9&#038;hl=en&#038;sa=X&#038;ei=o8AgT8OeMMmsiQK47oXYBw&#038;ved=0CDIQ6AEwAA#v=onepage&#038;q=Truth%20on%20Trial%20in%20Thailand%3A%20Defamation%2C%20Treason%2C%20and%20L%C3%A8se-Majest%C3%A9&#038;f=false" target="_blank">Google Books</a></p>
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		<title>Photography: Indonesian Randai Theatre at UHM (Speaker Series)</title>
		<link>http://www.cseashawaii.org/wordpress/2012/01/ss-pauka-photograph/</link>
		<comments>http://www.cseashawaii.org/wordpress/2012/01/ss-pauka-photograph/#comments</comments>
		<pubDate>Sat, 21 Jan 2012 00:57:11 +0000</pubDate>
		<dc:creator>Pahole Sookkasikon</dc:creator>
				<category><![CDATA[Events]]></category>
		<category><![CDATA[Indonesia]]></category>
		<category><![CDATA[Resources]]></category>
		<category><![CDATA[Speaker Series]]></category>
		<category><![CDATA[Kirstin Pauka]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[The Genteel Sabai]]></category>
		<category><![CDATA[UHM]]></category>

		<guid isPermaLink="false">http://www.cseashawaii.org/wordpress/?p=8671</guid>
		<description><![CDATA[Photography &#038; Video from our 2012 CSEAS Speaker Series]]></description>
			<content:encoded><![CDATA[<p><strong>INDONESIAN RANDAI THEATRE AT UHM: INSIGHTS INTO THE ADAPTATION AND REHEARSAL PROCESS</strong></p>
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<td><strong>Précis:</strong></td>
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</table>
<p>Professor Pauka and some of her collaborators will share insights into the rehearsal and production process of training and performing Randai theatre from West Sumatra. This is the third Randai production Pauka has directed in the Department of Theatre at the University of Hawaiʻi at Mānoa; UHM is the only place outside of Indonesia where audiences can see Randai theatre. </p>
<p><a href="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/DSCN4029.jpg"><img src="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/DSCN4029-300x225.jpg" alt="" title="DSCN4029" width="300" height="225" class="alignnone size-medium wp-image-8673" /></a></p>
<p><a href="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/DSCN4031.jpg"><img src="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/DSCN4031-300x225.jpg" alt="" title="DSCN4031" width="300" height="225" class="alignnone size-medium wp-image-8674" /></a></p>
<p><a href="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/DSCN4032.jpg"><img src="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/DSCN4032-300x225.jpg" alt="" title="DSCN4032" width="300" height="225" class="alignnone size-medium wp-image-8675" /></a></p>
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<td><strong>The Genteel Sabai:</strong></td>
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</table>
<p>This Spring, the UHM’s Department of Theatre and Dance presents the rare theatre form of Randai with its production of “The Genteel Sabai,” a folk dance-drama from the Minangkabau ethnic group in West Sumatra, Indonesia. Randai comes from the Minangkabau ethic group in Sumatra, and features beautiful traditional music and singing, martial arts, dance and acting; and its signature pants-slapping percussion!</p>
<p><a href="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/DSCN4033.jpg"><img src="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/DSCN4033-300x225.jpg" alt="" title="DSCN4033" width="300" height="225" class="alignnone size-medium wp-image-8676" /></a></p>
<p><a href="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/DSCN4035.jpg"><img src="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/DSCN4035-300x225.jpg" alt="" title="DSCN4035" width="300" height="225" class="alignnone size-medium wp-image-8677" /></a></p>
<p><a href="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/DSCN4036.jpg"><img src="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/DSCN4036-300x225.jpg" alt="" title="DSCN4036" width="300" height="225" class="alignnone size-medium wp-image-8678" /></a></p>
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<td><strong>Speaker Bio:</strong></td>
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<p>Kirstin Pauka is a professor in the Department of Theatre and Dance at the University of Hawai‘i at Mānoa. She is uniquely suited to the career of director, performer, scholar and most especially teacher of Asian and cross-cultural theatre.</p>
<p><a href="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/DSCN4037.jpg"><img src="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/DSCN4037-300x225.jpg" alt="" title="DSCN4037" width="300" height="225" class="alignnone size-medium wp-image-8679" /></a></p>
<p><a href="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/DSCN4038.jpg"><img src="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/DSCN4038-300x225.jpg" alt="" title="DSCN4038" width="300" height="225" class="alignnone size-medium wp-image-8680" /></a></p>
<p><a href="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/DSCN4040.jpg"><img src="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/DSCN4040-300x225.jpg" alt="" title="DSCN4040" width="300" height="225" class="alignnone size-medium wp-image-8681" /></a></p>
<p><a href="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/DSCN4041.jpg"><img src="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/DSCN4041-300x225.jpg" alt="" title="DSCN4041" width="300" height="225" class="alignnone size-medium wp-image-8682" /></a></p>
<p><a href="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/DSCN4042.jpg"><img src="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/DSCN4042-300x225.jpg" alt="" title="DSCN4042" width="300" height="225" class="alignnone size-medium wp-image-8683" /></a></p>
<p><a href="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/DSCN4046.jpg"><img src="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/DSCN4046-300x225.jpg" alt="" title="DSCN4046" width="300" height="225" class="alignnone size-medium wp-image-8684" /></a></p>
<p><a href="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/DSCN4047.jpg"><img src="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/DSCN4047-300x225.jpg" alt="" title="DSCN4047" width="300" height="225" class="alignnone size-medium wp-image-8685" /></a></p>
<p><a href="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/DSCN4051.jpg"><img src="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/DSCN4051-300x225.jpg" alt="" title="DSCN4051" width="300" height="225" class="alignnone size-medium wp-image-8686" /></a></p>
<p><a href="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/DSCN4052.jpg"><img src="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/DSCN4052-300x225.jpg" alt="" title="DSCN4052" width="300" height="225" class="alignnone size-medium wp-image-8687" /></a></p>
<p><a href="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/DSCN4053.jpg"><img src="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/DSCN4053-300x225.jpg" alt="" title="DSCN4053" width="300" height="225" class="alignnone size-medium wp-image-8688" /></a></p>
<p><a href="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/DSCN4055.jpg"><img src="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/DSCN4055-300x225.jpg" alt="" title="DSCN4055" width="300" height="225" class="alignnone size-medium wp-image-8689" /></a></p>
<p><a href="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/DSCN4056.jpg"><img src="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/DSCN4056-300x225.jpg" alt="" title="DSCN4056" width="300" height="225" class="alignnone size-medium wp-image-8690" /></a></p>
<p><a href="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/DSCN4057.jpg"><img src="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/DSCN4057-300x225.jpg" alt="" title="DSCN4057" width="300" height="225" class="alignnone size-medium wp-image-8691" /></a></p>
<p><a href="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/DSCN4058.jpg"><img src="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/DSCN4058-300x225.jpg" alt="" title="DSCN4058" width="300" height="225" class="alignnone size-medium wp-image-8692" /></a></p>
<p><a href="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/DSCN4059.jpg"><img src="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/DSCN4059-300x225.jpg" alt="" title="DSCN4059" width="300" height="225" class="alignnone size-medium wp-image-8693" /></a></p>
<p><iframe width="420" height="315" src="http://www.youtube.com/embed/d0lXFzOU4do" frameborder="0" allowfullscreen></iframe></p>
<p><iframe width="420" height="315" src="http://www.youtube.com/embed/zB9fJRh4vlU" frameborder="0" allowfullscreen></iframe></p>
<p><strong>For more information on The Genteel Sabai, times, and performance dates, please follow this <a href="http://www.cseashawaii.org/wordpress/2012/01/the-genteel-sabai/" target="_blank">link</a>.</strong></p>
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		<title>East-West Center: Minangkabau Processions of Sumatra</title>
		<link>http://www.cseashawaii.org/wordpress/2012/01/minangkabau/</link>
		<comments>http://www.cseashawaii.org/wordpress/2012/01/minangkabau/#comments</comments>
		<pubDate>Fri, 20 Jan 2012 00:59:47 +0000</pubDate>
		<dc:creator>Pahole Sookkasikon</dc:creator>
				<category><![CDATA[Educational Programs]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Indonesia]]></category>
		<category><![CDATA[Performance]]></category>
		<category><![CDATA[Resources]]></category>
		<category><![CDATA[CSEAS]]></category>
		<category><![CDATA[East-West Center]]></category>
		<category><![CDATA[Minangkabau]]></category>

		<guid isPermaLink="false">http://www.cseashawaii.org/wordpress/?p=8665</guid>
		<description><![CDATA[The EWC presents a symposium on the Minangkabau ethnic group of Indonesia.]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/Screen-shot-2012-01-19-at-2.49.13-PM.jpg"><img src="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/Screen-shot-2012-01-19-at-2.49.13-PM-300x191.jpg" alt="" title="Screen shot 2012-01-19 at 2.49.13 PM" width="300" height="191" class="alignnone size-medium wp-image-8666" /></a></p>
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		<title>Film Series: Homecoming (Singapore)</title>
		<link>http://www.cseashawaii.org/wordpress/2012/01/film-series-homecoming/</link>
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		<pubDate>Wed, 18 Jan 2012 03:58:22 +0000</pubDate>
		<dc:creator>Pahole Sookkasikon</dc:creator>
				<category><![CDATA[Film]]></category>
		<category><![CDATA[Film Series Archive]]></category>
		<category><![CDATA[Singapore]]></category>
		<category><![CDATA[Film Series]]></category>
		<category><![CDATA[Homecoming]]></category>

		<guid isPermaLink="false">http://www.cseashawaii.org/wordpress/?p=8634</guid>
		<description><![CDATA[This week CSEAS presents a film from Singapore, Homecoming! (on 1/18)]]></description>
			<content:encoded><![CDATA[<p><strong>Homecoming</strong><br />
<strong>Singapore, 2011</strong> (93 min)<br />
<strong>Wednesday, January 18, 2012</strong></p>
<p><em>Director: Lee Thean-Jeen<br />
Cast: Mark Lee, Jack Neo, Karen Neo, Afdlin Shauki, Ah-Niu, Rebecca Lim, Huang Wen Hong    </em>     </p>
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<p>Simple bliss and family harmony is essentially what every local Chinese hopes to experience over the Lunar New Year and Director Lee Thean-Jeen offers just that in this light-hearted comedy. HOMECOMING is a series of stories about family and what it means to go home. The characters in these stories come from a diverse range of generations, races, and social backgrounds and are linked through blood, friendship, and geography. This Singapore-Malaysia team effort stars Mark Lee as a demanding chef who cannot wield the same control over his daughter. Rebecca Lim plays a woman who is about to meet her in-laws from hell. Jack Neo cross-dresses again in the role of Karen Neo, while Ah Niu plays her son, who goes on a hilarious journey across the Causeway for their yearly reunion dinner. Kung hee fat choy! </p>
<p><iframe width="560" height="315" src="http://www.youtube.com/embed/dL-xQzmDzNA" frameborder="0" allowfullscreen></iframe></p>
<p>Distributed by InnoForm Media Pte Ltd. [<a href="enquiry@innoform.com.sg" target="_blank"> enquiry@innoform.com.sg</a>]</p>
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		<title>Song of the Week: Lê Hồng Nhung (Viet Nam)</title>
		<link>http://www.cseashawaii.org/wordpress/2012/01/le-hong-nhung/</link>
		<comments>http://www.cseashawaii.org/wordpress/2012/01/le-hong-nhung/#comments</comments>
		<pubDate>Sat, 14 Jan 2012 06:57:21 +0000</pubDate>
		<dc:creator>Ronald Gilliam</dc:creator>
				<category><![CDATA[Song of the Week]]></category>
		<category><![CDATA[Viet Nam]]></category>
		<category><![CDATA[Music]]></category>

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		<description><![CDATA[CSEAS welcomes you to the Spring 2012 SotW program with "Con Chim Sau," a Vietnamese pop diva ballad.]]></description>
			<content:encoded><![CDATA[<p><object id="gsSong2504298156" width="550" height="40" classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="wmode" value="window" /><param name="allowScriptAccess" value="always" /><param name="flashvars" value="hostname=cowbell.grooveshark.com&amp;songIDs=25042981&amp;style=metal&amp;p=0" /><param name="src" value="http://grooveshark.com/songWidget.swf" /><param name="allowscriptaccess" value="always" /><embed id="gsSong2504298156" width="550" height="40" type="application/x-shockwave-flash" src="http://grooveshark.com/songWidget.swf" wmode="window" allowScriptAccess="always" flashvars="hostname=cowbell.grooveshark.com&amp;songIDs=25042981&amp;style=metal&amp;p=0" allowscriptaccess="always" /></object></p>
<p><strong><img class="alignleft size-medium wp-image-8616" style="margin-left: 5px; margin-right: 5px; border-width: 1px; border-color: black; border-style: solid;" title="images321963_47" src="http://www.cseashawaii.com/wordpress/wp-content/uploads/2012/01/images321963_47-200x300.jpg" alt="" width="120" height="180" />Lê Hồng Nhung</strong>, born March 15, 1970, is a Vietnamese singer. She is one of the four divas in Vietnamese music, along with Thanh Lam, My Linh, and Tran Thu Ha. She is also known for her performance of composer Trinh Cong Son songs. Hong Nhung was born in Hanoi, deserted by her mother before she was a year old and brought up by her grandmother. Her father was a bohemian figure who drifted in and out of her life, never contributing much money for the food and clothes she was so short of. Nhung had a good voice, though, and when she was 11 she sang her first song on Vietnam Radio. At 17 she made her first album, and by 21 she was starting to make a name for herself. At the age of 10, she was admitted to the vocal class of the Hanoi Youth Culture House. In 1981, she started recording with Radio the Voice of Vietnam. She became known as a promising young singer with songs Nhớ Về Hà Nội and Papa, a Vietnamese cover of the Myo song. In 1991, Nhung moved to Ho Chi Minh City. She met composer Trịnh Công Sơn in 1992 and began to perform his songs with a new style, creating a wave in Vietnamese music. Hồng Nhung is living in Ho Chi Minh City. -<a href="http://en.wikipedia.org/wiki/Hong_Nhung" target="_blank">wikipedia</a></p>
<p style="text-align: center;"><object width="480" height="360" classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="allowFullScreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="src" value="http://www.youtube.com/v/KrWnn_ZNTF8?version=3&amp;hl=en_US&amp;rel=0" /><param name="allowfullscreen" value="true" /><embed width="480" height="360" type="application/x-shockwave-flash" src="http://www.youtube.com/v/KrWnn_ZNTF8?version=3&amp;hl=en_US&amp;rel=0" allowFullScreen="true" allowscriptaccess="always" allowfullscreen="true" /></object><br />
<a href="www.facebook.com/pages/Hồng-Nhung/109393639086803" target="_blank">Facebook</a> | <a href="http://vi.wikipedia.org/wiki/Hồng_Nhung" target="_blank">Wikipedia (Vietnamese)</a> | <a href="http://last.fm/music/Hồng+Nhung" target="_blank">Last.fm</a> | <a href="http://www.pbs.org/vietnampassage/perspectives/perspectives.music.html" target="_blank">PBS Documentary</a></p>
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