* The Philippines and Japan in America’s Shadow
| The Philippines and Japan in America’s Shadow |
edited by Kiichi Fujiwara & Yoshiko Nagano
University Of Hawai’i Press, 2011
The authors in this volume examine the U.S. occupation of the Philippines and Japan from a wide range of perspectives (political science, history, anthropology, sociology, and literature). They suggest that American colonialism shows distinct characteristics of latecomer-colonialism, starting with the strong role of the state and the primacy of geopolitics. In contrast with other imperial powers, such as Britain, France, and Japan, the Americans relied more on informal empire than on direct control of territory, an approach that suited an era when colonialism as such was increasingly difficult to defend.
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* Benevolent Assimilation: The American Conquest of the Philippines, 1899-1903
* India-Burma (The U.S. Army Campaigns of World War II)
* Lucky Child: A Daughter of Cambodia Reunites with the Sister She Left Behind
* No Sure Victory: Measuring U.S. Army Effectiveness and Progress in the Vietnam War
* Trade and Development in a Globalized World: The Unfair Trade Problem in U.S.D Thai Trade Relations
| Benevolent Assimilation: The American Conquest of the Philippines, 1899-1903 |
by Stuart Creighton Miller
Yale University Press, 1984
American acquisition of the Philippines and Filipino resistance to it became a focal point for debate on American imperialism. In a lively narrative, Miller tells the story of the war and how it challenged America’s sense of innocence. He examines the roles of key actors—the generals and presidents, the soldiers and senators—in America’s colonial adventure.
| India-Burma (The U.S. Army Campaigns of World War II) |
by David W. Hogan
Army Center of Military History, 1992
| Lucky Child: A Daughter of Cambodia Reunites with the Sister She Left Behind |
by Loung Ung
Harper Perennial, 2006
After enduring years of hunger, deprivation, and devastating loss at the hands of the Khmer Rouge, ten-year-old Loung Ung became the “lucky child,” the sibling chosen to accompany her eldest brother to America while her one surviving sister and two brothers remained behind. In this poignant and elegiac memoir, Loung recalls her assimilation into an unfamiliar new culture while struggling to overcome dogged memories of violence and the deep scars of war. In alternating chapters, she gives voice to Chou, the beloved older sister whose life in war-torn Cambodia so easily could have been hers. Highlighting the harsh realities of chance and circumstance in times of war as well as in times of peace, Lucky Child is ultimately a testament to the resilience of the human spirit and to the salvaging strength of family bonds.
| No Sure Victory: Measuring U.S. Army Effectiveness and Progress in the Vietnam War |
by Gregory A. Daddis
Oxford University Press, 2011
It is commonly thought that the U.S. Army in Vietnam, thrust into a war in which territory occupied was meaningless, depended on body counts as its sole measure of military progress. In No Sure Victory, Army officer and historian Gregory A. Daddis uncovers the truth behind this gross simplification of the historical record. Daddis shows that, confronted by an unfamiliar enemy and an even more unfamiliar form of warfare, the U.S. Army adopted a massive, and eventually unmanageable, system of measurements and formulas to track the progress of military operations that ranged from pacification efforts to search-and-destroy missions. Concentrating more on data collection and less on data analysis, these indiscriminate attempts to gauge success may actually have hindered the army’s ability to evaluate the true outcome of the fight at hand–a roadblock that Daddis believes significantly contributed to the multitude of failures that American forces in Vietnam faced. Filled with incisive analysis and rich historical detail, No Sure Victory is a valuable case study in unconventional warfare, a cautionary tale that offers important perspectives on how to measure performance in current and future armed conflict.
| Trade and Development in a Globalized World: The Unfair Trade Problem in U.S.D Thai Trade Relations |
by John M. Rothgeb Jr. and Benjamas Chinapandhu
Lexington Books, 2008
Trade and Development in a Globalized World examines how the unfair trade regulations of advanced countries affect developing societies. The most prominent of these regulations are those pertaining to dumping and subsidies. As antidumping and antisubsidy laws have proliferated, they have increasingly undermined the trade-related development strategies of poor countries. To determine how developing states attempt to cope with the problems created by unfair trade rules, Rothgeb and Chinapandhu conducted a case study of the Thai–U.S. trade relationship. The results, revealed here, show that unfair trade regulations have evolved substantially from their origins as devices for ensuring that international markets can not be manipulated to confer advantages upon selected exporters and that these regulations now serve as the primary protective mechanisms for guaranteeing that advanced country producers will not face competition from developing country industries.
The plan was simple. Get two guitars, a bass, a keyboard and a drumset. And rock. Five different people. One common goal:Â To change the face of Singapore music.
Slank is an Indonesian rock band. It was founded in 1983 by some teenagers in a small street in Jakarta called Gang Potlot. They had played rock music everywhere until they got an opportunity to make an albumn. Bimbim created Cikini Stone Complex in early 1980s. This band only performed Rolling Stones song and not from another band. Then, they broke up late 1983 because of boredom. Accompanied by his colleague Denny and Erwan, Bimbim made Red Devil. For the guitarist Bimbim brought Bongky. In December 1983 they changed their band name became Slank because they are looked selengean.
Sai Sai Kham Hlaing (Burmese: စá€á€¯á€„်းစá€á€¯á€„်းá€á€™á€ºá€¸á€œá€¾á€á€¯á€„်) is a popular Burmese singer-songwriter, model, novelist, and actor of ethnic Shan descent. He is best known for his hip hop music. He was born on 10 April 1979 in Taunggyi to Cho Cho San Tun and Kham Hlaing of an ethnic Shan aristocratic family. His great-grandfather Sao San Tun, Saopha of Mongpawng, was a signatory to the 1947 Panglong Agreement that was the basis for the formation of modern Myanmar, and one of nine senior government officials assassinated on 19 July 1947. The day of the assassination is commemorated each year as the Martyrs’ Day in Myanmar. The hospital he was delivered in was his great-grandfather’s namesake—the Sao San Tun Hospital. He is the eldest son and has two younger sisters and a younger brother. Soon after he was born, his parents moved to nearby Aungban for two years before moving back to Taunggyi. His parents divorced when he was got to 4th standard. He was living in two houses soon after the divorce but ended up with his father. He would not see his mother for another six years. He did not recognize his own mother when they met again in Yangon. Sai Sai attributes his interest in music to his father. He grew up listening to songs by Sai Htee Saing and Aung Yin that his father listened to on a “small mono cassette player”. Sai Htee Saing and his father were friends. But it was after his parents’ divorce that Sai Sai earnestly took up music. His father bought him a guitar at 5th standard, and he learned to play it by 6th standard. Sai Sai became a judo player at 8th standard. He won district level competitions in high school, and even competed in national youth competitions in Yangon. Sai Sai came to Yangon and enrolled in Dagon University as an English major. He received his bachelor’s degree in English from Dagon University and a graduate diploma in English from the University of Foreign Languages, Yangon. His mother lives in Australia and his father died in 2006. -
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