Archive | June, 2011

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Hard Hitting Reports on Conflict/Health in SE Asia

Posted on 23 June 2011 by Ronald Gilliam

The World Health Organization (WHO) and the Transnational Institute, an organization devoted to the distribution of research by scholar activists, have recently published several hard hitting research papers on social problems in Southeast Asia related to sexual health, drug abuse, and political conflict.

HIV/AIDS among men who have sex with men and transgender populations in South-East Asia
Published by the WHO
Same-sex behaviour is identified in all societies. However, in the South-East Asia Region, the majority of men who have sex with men andtransgender persons are highly stigmatized and discriminated against. There are an estimated 4-5 million men who have sex with men; among the transgender population, the number is less clear. Many of them are involved in high risk sexual behaviours that put them at risk for HIV infection, resulting in a high and increasing HIV prevalence in several countries of the Region. Control of HIV infections among these populations is thus an urgent public health priority. This report provides information on the status of the epidemic among these populations in the South-East Asia Region. It highlights the need for improved advocacy efforts and a greater national response to save the lives of these populations who are at risk for HIV infection.

WHO link |  download here

 

Burma’s New Government: Prospects for Governance and Peace in Ethnic States
Transnational Institute
This paper takes an initial look at what the prospects are in this area, two months after the new government took office. Of course, any analysis at this early stage can only be tentative, but there have already been a number of sufficiently important developments – the first sessions of the legislatures, the appointment of standing committees, and the appointment of local governments – to make such an analysis worthwhile. Two key areas will be assessed: firstly, the composition and functioning of the new governance structures, particularly the decentralized legislative and executive institutions, and the impact that these could have on the governance of ethnic minority areas; and secondly, the status of the ceasefires and ongoing insurgencies, and the prospects for peace.

Transnational Institute |  download here

 

Kratom in Thailand: Decriminalisation and Community Control?
Transnational Institute
by Pascal Tanguay
Kratom is an integral part of Thai culture and has neglible harmful effects. Community level control and education are recommended for the best path to harm reduction. In early 2010, the Thai Office of the Narcotics Control Board (ONCB) developed a policy proposal to review different aspects of the criminal justice process in relation to drug cases. The possibility of decriminalising the indigenous psychoactive plant, kratom, was included in the ONCB’s proposal for consideration by the Ministry of Justice. This briefing paper provides an overview of issues related to kratom legislation and policy in Thailand as well as a set of conclusions and recommendations to contribute to a reassessment of the current ban on kratom in Thailand and the region. Kratom has been traditionally chewed by people in Thailand, especially on the southern peninsula, as well as in other countries in Southeast Asia. In southern Thailand, traditional kratom use is not perceived as ‘drug use’ and does not lead to stigmatisation or discrimination of users. Kratom is generally part of a way of life in the south, closely embedded in traditions and customs such as local ceremonies, traditional cultural performances and teashops, as well as in agricultural and manual labor in the context of rubber plantations and seafaring. People from the southern provinces, especially in Pattani, Yala and Narathiwat provinces, are predominantly Muslim and are prohibited from drinking alcohol based on the dictates of Islamic beliefs. With strict controls on alcohol, kratom is an alternative substitute, not specifically prohibited by the clergy, but regulated by the state.

Transnational Institute |  download here

 

On the Frontline of Northeast India: Evaluating a Decade of Harm Reduction in Manipur and Nagaland
Transnational Institute
Conflict and underdevelopment in Northeast India have contributed to drug consumption and production, and are hampering access to treatment, care and support for drug users. Northeast India is a region with serious drug use problems. This briefing examines the drug-related problems and evaluates the policy responses in Nagaland and Manipur,  two sparsely populated states in that region, bordering Burma. These states have the highest prevalence of injecting drug users (IDUs) in India. Unsafe practices, especially needle sharing among IDUs, have been the main drivers of the HIV/AIDS epidemic in the region. By the end of the 1990s, Manipur had become the “AIDS capital of India”, and also Nagaland is suffering a high incidence of HIV among injecting drug users. Northeast India is an isolated and mountainous area, home to a wide range of different ethnic groups, each with its own distinct culture, traditions and language. Many of these ethnic groups are in conflict with the Indian government, demanding more autonomy or independence. Several ethnic movements are in armed struggle, pressing for their political demands. There has also been communal violence between villages of different ethnic groups.

Transnational Institute |  download here

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Song of the Week: Tata Young (Thailand)

Posted on 23 June 2011 by Ronald Gilliam

Amita Marie Young (born Su Min Ta Marie Young, December 14, 1980), better known under her stage name Tata Young, is a Thai singer, model actress and dancer. She gained prominence when she placed first in a national singing contest at age 11, subsequently signing a record deal and releasing her first album Amita Tata Young in 1996. Within five months, the album had sold over one million copies. Since then, Young has released eight studio albums, three in English and five in Thai. Her most recent album is Ready for Love, released on August 25, 2009.

She has acted in three films, The Red Bike Story (Jakkayan See Daeng), O-Negative and Plai Tien as well as the TV drama The Candle (Plai Tiean). She sang “Reach For The Stars” at the Bangkok opening ceremony for the 13th Asian Games in 1998 and also sang the English part of the title song for the Bollywood movie, Dhoom. Tata was born to a Thai mother and an American father in 1980 and by the age of eleven had won her first national talent contest, the Thailand Junior Singing Contest. By the age of fourteen she had signed her first professional contract and released her debut million selling album in 1995. This led to her winning multiple awards at the Thai Radio Vote Awards in 1996.

In 2004, Tata released her English-language debut album, I Believe on Columbia Records. The first single taken from the album was “Sexy, Naughty, Bitchy”, which was controversial in Thailand. In Malaysia, she had to change the name of the tune to “Sexy, Naughty, Cheeky”. Further single releases from the album included ‘I Believe’ and ‘Cinderella’ She expanded her reach to India, recording the song, Dhoom Dhoom, for the soundtrack to a Bollywood movie, Dhoom. Dhoom, whose OST album sold over 800,000 units in India, was a phenomenal success for a soundtrack. Later, she embarked on her Dhoom Dhoom tour. In Taiwan, Tata became the first Thai artist to be invited to perform at the Golden Melody Awards – Taiwan’s equivalent of the Grammy Awards. In Hong Kong, China and Japan, “Sexy, Naughty, Bitchy” and “I Believe” climbed to the top of the charts.

Her second English-language album, Temperature Rising was released in August 2006; its first single was “El Nin-YO!”. The album includes songs composed by Diane Warren, Paul McCartney and Natasha Bedingfield. In 2007, she recorded her single “Zoom” in Simlish for the top-selling PC game The Sims 2: Seasons.Tata has also lent her voice to humanitarian causes, including the AIDS program of Father Joe Maier’s Human Development Foundation and MTV’s Exit campaign to end human trafficking. In early 2008, Tata Young released her sixth Thai album. The headline single “One Love” was released on Valentine’s Day.

-Condensed from Tata Young’s Wikipedia biography

 

Official Website |  My Space |  Facebook |  LastFM

 

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Scholarship in Agriculture for 2012-2013

Posted on 23 June 2011 by Ronald Gilliam

Southeast Asian Regional Center for Graduate Study and Research in Agriculture (SEARCA)
Deadline: 30 July 2011

SEARCA_2012-2013 Agriculture Scholarship

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Bookshelf Spotlight: Burma and Its Borders

Posted on 21 June 2011 by Ronald Gilliam

Featured Books

* Burma Redux: Global Justice and the
 Quest for Political Reform in Myanmar
* State and Society in Modern Rangoon
* Ruling Myanmar: From Cyclone Nargis to National Elections
* Spreading the Dhamma: Writing, Orality, and Textual Transmission in Buddhist Northern Thailand
* Dynamics of Cross Border Industrial Development in Mekong Sub-region: A Case Study of Thailand
* The Last Paradise on Earth: The Vanishing Peoples & Wilderness of Northern Burma

Burma Redux: Global Justice and the
 Quest for Political Reform in Myanmar

by Ian Holliday
Hong Kong University Press, 2011

Contemporary Myanmar faces immense political challenges, and the role outsiders might play in dealing with them is highly contentious. Drawing on views expressed by local citizens, Burma Redux argues for committed strategies of grassroots involvement that engage international aid agencies, global corporations and foreign states. The wide-ranging discussion positions Myanmar’s history, contemporary politics and social circumstances within broader discussions of global justice, democratic transitions, the aid business, corporate social responsibility and international sanctions.

Hong Kong U. Press

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State and Society in Modern Rangoon

by Donald M. Seekins
Routledge, 2010

While most of Asia’s major cities are increasingly homogenized by rapid economic growth and cultural globalization, Rangoon, which is Burma’s former capital and largest city, still bears the imprint of a unique and often turbulent history. It is the site of the Shwedagon Pagoda, a focus of Buddhist pilgrimage and devotion since the early second millennium C.E. that continues to play a major role in national life. In 1852, the British occupied Rangoon and made it their colonial capital, building a modern port and administrative center based on western designs. It became the capital of independent Burma in 1948, but in 2005 the State Peace and Development Council military junta established a new, heavily fortified capital at Naypyidaw, 320 kilometers north of the old capital. A major motive for the capital relocation was the regime’s desire to put distance between itself and Rangoon’s historically restive population. Reacting to the huge anti-government demonstrations of “Democracy Summer” in 1988, the new military regime used massive violence to pacify the city and sought to transform it in line with its supreme goal of state security. However, the “Saffron Revolution” of September 2007 showed that Rangoon’s traditions of resistance reaching back to the colonial era are still very much alive.

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Ruling Myanmar: From Cyclone Nargis to National Elections

by Nick Cheesman, Monique Skidmore and Trevor Wilson (eds)
Institute of Southeast Asian Studies, 2010

November 2010 sees the first elections in Myanmar/Burma since 1990, to be held as the culmination of the military regime’s ‘Road Map for Democracy’ The conditions under which the elections are being held are far from favourable, although the laws and procedures under which they will be conducted have been in place for seven months and quite widely publicized. Political controls remain repressive, freedom of expression and assembly does not exist, and international access is restricted by government controls as well as sanctions. While the elections represent a turning point for Myanmar/Burma, the lead-up period has not been marked by many notable improvements in the way the country is governed or in the reforming impact of international assistance programmes. Presenters at the Australian National University 2009 Myanmar/Burma Update conference examined these questions and more. Leading experts from the United States, Japan, France, and Australia as well as from Myanmar/Burma have conributed to this collection of papers from the Conference.

Goodreads | Amazon | ISEAS Publishing

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Spreading the Dhamma: Writing, Orality, and Textual Transmission in Buddhist Northern Thailand

By Daniel Veidlinger
University of Hawaii Press, 2006

How did early Buddhists actually encounter the seminal texts of their religion? What were the attitudes held by monks and laypeople toward the written and oral Pali traditions? In this pioneering work, Daniel Veidlinger explores these questions in the context of the northern Thai kingdom of Lan Na. Drawing on a vast array of sources, including indigenous chronicles, reports by foreign visitors, inscriptions, and palm-leaf manuscripts, he traces the role of written Buddhist texts in the predominantly oral milieu of northern Thailand from the fifteenth to the nineteenth centuries.

Veidlinger examines how the written word was assimilated into existing Buddhist and monastic practice in the region, considering the use of manuscripts for textual study and recitation as well as the place of writing in the cultic and ritual life of the faithful. He shows how manuscripts fit into the economy, describes how they were made and stored, and highlights the understudied issue of the “cult of the book” in Theravâda Buddhism. Looking at the wider Theravâda world, Veidlinger argues that manuscripts in Burma and Sri Lanka played a more central role in the preservation and dissemination of Buddhist texts.

Goodreads | Amazon | UH Press

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Dynamics of Cross Border Industrial Development in Mekong Sub-region: A Case Study of Thailand

By Chuthatip Maneepong
LAP LAMBERT Academic Publishing, 2010

An important strategy for turning the periphery of border area into centre of growth, and for accelerating economic concentration away from capital cities is maximizing the value of border location. Large-scale industry located in border areas and relocated to border towns has a growth potential by exploiting the location advantages of the abundant and cheap labour force in peripheral area, as well as cross border infrastructure services with the support of ethic ties between two adjoining countries. This theory has been successfully applied in several cross border areas, e.g. the US-Mexico border zone, and Singapore-Johor-Riau Growth Triangle zone. It is not matter of whether policies supporting the industrial development in border towns are right or wrong. This book raises the question of whether they are applicable, feasible and effective in less developed border region with a majority of small and medium-scale industries such as in Thai border towns, especially during times like the Asian Economic Crisis. The book thus discusses: what produces entrepreneurs and how do they operate?, What are advantages of border locations for entrepreneurs?, What are impact of government investments and other measures? What other factors contribute to and hinder industrial establishment and growth in border towns, and how?.

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The Last Paradise on Earth: The Vanishing Peoples & Wilderness of Northern Burma

By Wade Brackenbury
Flame of The Forest Publishing, 2005

Since independence from Britain in 1948, Burma has been plagued by civil war and ethnic conflict. These bitter struggles have led to the loss of thousands of lives. In Kachin state, nestled at the foot of the Himalaya in the upper reaches of the Irrawaddy River, the people indigenous to this region seem blissfully unaware of the strife beyond their river shores. They live peacefully in a lush and virgin environment, protected by its inaccessibility and untouched by modernization, in what the author considers the last paradise on earth. This photographic diary of the author’s extensive travels to this region allows us a privileged glimpse into a very special world where the inhabitants and the landscape are touchingly different from our own.

Goodreads | Amazon | Flame of the Forest Publishing

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Summer 2011 Archive

Posted on 15 June 2011 by Ronald Gilliam

Click on the links below to access Summer 2011 weekly announcement archives:

20110805 Weekly Announcement
20110721 Weekly Announcement
20110713 Weekly Announcement
20110624 Weekly Announcement
20110614 Weekly Announcement

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Sakamaki Extraordinary Lectures 2011: Dr. Ricardo D. Trimillos

Posted on 13 June 2011 by Ronald Gilliam

“Global Sounds/Asian and Pacific Bodies: the International Circulation of Music”
by Dr. Ricardo D. Trimillos, UHM School for Pacific & Asian Studies

7:00 pm, 15 June 2011
Architecture Auditorium
University of Hawaiʻi at Mānoa

There are a number of different kinds of music that we can consider “global,” that is, a music genre heard in many parts of the world. Pop or commercial music is a type that most often comes to mind when we think of a global reach today. This lecture aims to look at a number of issues related to music and to our musical experiences in Hawaiʻi—what constitutes a global music? How did it become defined as global? And also, how has Hawaiʻi as part of an Asia-Pacific region contributed to or participated in various kinds of global music?

Although global music today are almost always assumed to be sounds distributed through mass media, the circulation of musicians or “live bodies” through touring is an earlier form of globalization that continues to be important today. In this presentation, I discuss the ways the performer as a physical body affects both the actual sound of the performance but also the way in which a performance is received by an audience or by observers. In recent years academics have turned with a renewed interest to the body, particularly the physical body. Two ideas about the body will form the basis of our considerations: the body as a canvas whose physical appearance can be changed or given different meanings; and the body as a machine that does work that can be changed or given different meanings. These two ideas are manifested in globalized music in interesting ways.
The world of classical music with its non-stop travelling of world-class artists is one instance. For example, within two months an artist such as Yo-yo Ma can perform the same concerto in Chicago’s Symphony Hall, Vienna’s Musikverein, and Honolulu’s Blaisdell Concert Hall. We will consider the ways in which Asian and Pacific “bodies” are part of the opera world.

As a second category, there are many worlds of pop music, whose origins are certainly in the West but whose production is now world-wide. A question we might ask is: if pop music is created in Hong Kong or in Manila is it still a westernized music? Or is it Cantonese or Filipino, respectively? How does the Asian or Pacific body help to “sell” a global sound, especially one that is commercial?

The notion of the physical body in performance has implications for gender and ethnicity as well as for sexuality and race. We will touch upon the ways in which these aspects are part of musical globalization and also ways in which globalization can impact local cultures, both positively and negatively. The presentation is intended for a general audience. Informal and informative, it includes sound and visual illustrations, many of which are familiar to the Honolulu music scene.

Ricardo D. Trimillos is an ethnomusicologist at the University of Hawai‘i and Director of the Center for Philippine Studies. He has served as cultural consultant for the governments of Malaysia, the Philippines, the former Soviet Union, and Hong Kong. His area interests include the musics of Hawai‘i, the Southern Philippines and Japan. Thematic interests include identity, gender, and cultural advocacy. Trimillos has been a consultant to a number of governments in the area of arts and public policy. He has served as a liaison, bringing indigenous Filipino musicians to national folk festivals in the United States. His publications in three languages include articles on Asian Americans, world music in higher education, cross-cultural implications for the arts, interrelationships of the arts, Philippine ritual and Hawaiian music. As a performer whose principal medium is the Japanese koto, Trimillos has presented concerts of modern and traditional music in the US, Europe, Japan, the Philippines and Australia.

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Song of the Week: Ros Sereysothea

Posted on 09 June 2011 by Ronald Gilliam

 

Ros Sereysothea (1948-1977) was a famous Cambodian singer during the nation’s thriving cultural renaissance. She sang from a variety of genres but romantic ballads emerged as her most popular works. Despite a rather short career she is credited with producing hundreds of songs and even starring in a few movies. Details of her life and fate during the Khmer Rouge is relatively unknown but it is generally accepted she did not survive.

Growing up relatively poor, Ros Sothea was the second youngest of five children and displayed vocal talent around the age of three or four. Her talent would remain relatively hidden until she was persuaded by friends to join a regional singing contest in 1963. It is believed that Im Song Seurm, a singer from the National Radio heard of Sothear’s talents and invited her to the capital, Phnom Penh in 1967.

In Phnom Penh, she adopted the alias Ros Sereysothea and became a singer for National Radio performing duets with Im Song Seurm. Her first hit, Stung Khieu debuted the same year and she quickly attracted fans with her clear and high pitch voice. Recognized as a national treasure she was honored by King Norodom Sihanouk with the royal title of “Preah Reich Theany Somlang Meas“, the “Golden Voice of the Royal Capital“.

By the 1970s, Sothear began experimenting in other genres. Her high, clear voice, coupled with the rock backing bands featuring prominent, distortion-laden lead guitars, pumping organ and loud, driving drums, made for an intense, sometimes haunting sound that is best described today as psychedelic or garage rock. And like the leader of the music scene, Sinn Sisamouth, Sothear would often take popular Western rock tunes, such as John Fogerty’s “Proud Mary” and refashion them with Khmer lyrics.

Her career would continue until the Khmer Rouge captured the beleaguered capital, Phnom Penh in April 1975. Like everyone else when the Khmer Rouge took over, she was forced to leave Phnom Penh. There are many speculations regarding her fate from a variety witnesses. Her sisters insist that Sothea along with their mother and children were taken to Kampong Som province and executed immediately following the Fall of Phnom Penh.

With the cultural upheaval by the Khmer Rouge, scant evidence of Ros Serey Sothear’s life remains. However, many recordings have survived and have started to gain exposure through reissues on cassette and CD.

Songs by Sothea, Sinn Sisamouth and other Cambodian singers of the era, Meas Samoun, Chan Chaya, Choun Malai and Pan Ron, are featured on the soundtrack to Matt Dillon’s film City of Ghosts. Tracks by Sothea are “Have You Seen My Love”, “I’m Sixteen” and “Wait Ten Months”. Also “I’m Sixteen” was taken for the soundtrack of the 2010 movie of Detlev Buck “Same Same, but different”

The Los Angeles band Dengue Fever, which features Cambodian lead singer Chhom Nimol, covers a number of songs by Sothea and other singers from the short-lived Cambodian rock and roll scene. –condensed from Wikipedia biography.

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Bookshelf Spotlight: Religions in SEA

Posted on 09 June 2011 by Ronald Gilliam

Featured Books

* How to Behave: Buddhism and Modernity in Colonial Cambodia, 1860-1930
* Burmese Buddhasahassanamavali
* From Cosmogony to Exorcism in a Javanese Genesis: The Spilt Seed
* Shadows of the Prophet: Martial Arts and Sufi Mysticism
* Unconventional Sisterhood: Feminist Catholic Nuns in the Philippines (Southeast Asia: Politics, Meaning, and Memory)
* A New God in the Diaspora?: Muneeswaran Worship in Contemporary Singapore

How to Behave: Buddhism and Modernity in Colonial Cambodia, 1860-1930

by Anne Ruth Hansen
University of Hawaiʻi Press, 2007

This ambitious cross-disciplinary study of Buddhist modernism in colonial Cambodia breaks new ground in understanding the history and development of religion and colonialism in Southeast Asia.

UH Press | Goodreads | Amazon | Google Books

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Burmese Buddhasahassanamavali

by S.N. Goenka
Vipassana Meditation Institute, 1998

Buddha Sahassanamavali means ’1000 names of the Buddha’. A selected collection of 208 Pāli couplets written by Goenkaji expounding the virtues and qualities of the Buddha. The book is rich in Pāli vocabulary, and can be a great aid to learning the Pāli language also. In addition to this Myanmar-script version, the book is available in the following other scripts (Pāli language, different scripts): Devanagari, Roman, Thai, Sri Lankan, Cambodian, Mongolian.

Goodreads | Pariyatti Books

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From Cosmogony to Exorcism in a Javanese Genesis: The Spilt Seed

By Stephen C. Headley
Oxford University Press, 2001

In 1925, the influential Dutch anthropologist W. H. Rassers questioned the relationship of myth to ritual, taking as his case study the Javanese myth of the birth of the man-eating demon Kala. This myth, and its re-enactment, shed light on the social morphology and became immediately the subject of debate among students of Javanese culture. In this enticing work, Stephen C. Headley translates and studies ritual and myth in their variant forms, expanding upon Rassers’ general proposition that the movement from cosmogony to exorcism discovers fundamental social forms that circulate values in Javanese society.

Goodreads | Amazon | Google Books

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Shadows of the Prophet: Martial Arts and Sufi Mysticism

By D.S. Farrer
Springer, 2009

This is the first in-depth study of the Malay martial art, silat, and the first ethnographic account of the Haqqani Islamic Sufi Order. Drawing on 12 years of research and practice in Malaysia, Singapore, and England, social anthropologist and martial arts expert D.S. Farrer considers Malay silat through the transnational Sufi silat group called Seni Silat Haqq, an off-shoot of the Haqqani-Naqshbandi Sufi Order.

This account combines theories from the anthropology of art, embodiment, enchantment, and performance to show how war magic and warrior religion amalgamate in traditional Malay martial arts, where practitioners distance themselves from “becoming animal” or going into trance, preferring a practice of spontaneous bodily movement by summoning the power of Allah. Silat and Sufism are revealed through the social dramas of 40-day boot-camps where Malay and European practitioners endeavor to become shadows of the Prophet, only to have their faith tested through a ritual ordeal of boiling oil. The unseen realm and magical embodiment is further approached through an account of Malay deathscapes where moving through the patterns of silat summons the spirits of ancestral heroes.

Those interested in Malaysia, Sufism, transnational Islam, and the study of religion, conversion, magic, sorcery, theatre and martial arts will find this book indispensable.

Goodreads | Amazon | Google Books

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Unconventional Sisterhood: Feminist Catholic Nuns in the Philippines (Southeast Asia: Politics, Meaning, and Memory)

By Heather Lynn Claussen
University of Michigan Press, 2001

Unconventional Sisterhood is an ethnographic exploration of the ways in which Filipina Missionary Benedictine Sisters are renegotiating traditional understandings of gender, religious responsibility, and national identity in the context of a rapidly globalizing nation. Unlike the popular stereotypes of staid sisters cloaked in rigid religious dogmatism, they are doing so by telling jokes, engaging in eclectic religious rituals, maintaining connections with a local nationalist cult, and committing themselves to a radical and feminist politics.

This work represents an important addition to scholarship on Philippine feminism. It is one of few ethnographies that focuses on female monasticism–of particular cultural importance in the Christian Philippines, where nuns enjoy relatively high social status and freedom from many of the traditional constraints delineating Filipina lives. It is noteworthy as well for its focus on metropolitan Manila–a socially complex, dynamic, diverse, and understudied environment.

Goodreads | Amazon | Google Books | Intersections Review

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A New God in the Diaspora?: Muneeswaran Worship in Contemporary Singapore

By Vineeta Sinha
Singapore University Press, 2006

A New God examines the worship of a Hindu deity known as Muneeswaran in contemporary Singapore. The strong presence and veneration of this male deity on the island, and the innovative styles of religiosity now associated with him, justify calling Muneeswaran a ‘new’ god in the Indian diaspora. Vineeta Sinha documents a neglected aspect of local Hinduism and the ritual domain surrounding guardian deities (kaval deivam) such as Muneeswaran. She raises a broader question: why has this deity, brought from Tamilnadu to Malaya more than 170 years ago, such a strong appeal for young Singaporean Hindus three and four generations removed from their Indian origins. Her exploration of these issues provides an ethnographic documentation of urban-based Hindu religiosity in contemporary Singapore, and makes an important contribution to the global study of religion in the diasporas.

Goodreads | Amazon | National University of Singapore

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Alumni Spotlight – William M. Owens

Posted on 08 June 2011 by Ronald Gilliam

William M. Owens, (MA, Asian Studies – Thai, 2006) has been working as a professional writer and editor based in New York City. In addition to professional writing contracts with IT and telecommunications firms, he has been studying and writing about the development of contemporary Thai art cinema as an independent scholar.

Together with Asian cinema scholar, Wimal Dissanayake, PhD, of the University of Hawaii at Manoa, William has written essays on the relationship between Southeast Asian cinema and the public sphere with specific reference to the films of Thai filmmaker Pen-ek Ratanaruang. Last summer, he traveled to Ho Chi Minh City, Viet Nam to present one of his essays at the 6th annual Southeast Asian Cinemas Conference. This summer, he will attend Mahidol University’s Thai Studies Conference in Bangkok in order to present a paper on the relationship between the work of Apichatpong Weerasethakul and narrative structures, time, and meaning in Thai visual media.

Recently, Pen-ek and Apichatpong have been in New York City as part of the Asia Society’s Blissfully Thai film series, and the New Museum’s showing of Apichatpong’s multi-media installation Primitive. The film series was co-presented with the Thai Artists Alliance (http://www.thaiartistsnyc.org), a group of contemporary Thai artists based in New York City. William has had the pleasure of helping the organization with various writing and editorial tasks related to the film events, as well as an upcoming exhibition which will feature the work of Thai artists in various media, including photography, film, and multi-media installations. This year’s exhibition, called Siamese Connection 2011, will be held July 28 – 31, 2011 at the Invisible Dog Art Center in Brooklyn, New York.  William may be reached at pacificlotusasia@gmail.com.

Congratulation William and good luck with your study of Thai visual art!

Photo credits:
Courtesy of Thai Artists Alliance and c. bay milin; http://www.thaiartistsnyc.org; bay@cbaymilin.com; http://cbaymilin.com

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Subtitled Film from Vietnam

Posted on 07 June 2011 by Ronald Gilliam

The University of Hawaii’s Southeast Asian Film Translation Project recently produced two subtitled Vietnamese language films, now available for public viewing in the United States!

 

program-vietnam-008BONG SEN (1998) is a remarkable co-production between Algeria and Vietnam. The film won Third Prize at the Seventh Festival of African Cinema in Morocco. In the 1950s, the French Army sent thousands of indigenes, soldiers conscripted from colonies in North Africa, to fight in the so-called “Dirty War” in Indochina. Set against the growing Vietnamese struggle for independence is a love story involving Ali, portrayed by Algerian actor El-Mellouhi Niddal, and Lien (Nguyen An Chinh), a beautiful Viet Minh guerrilla.

 

program-vietnam-007PASSERINE BIRD (1962). The Vietnam Film Institute stumbled upon a deteriorating 16mm print of this lost classic which the Hong Kong Film Archive restored and the Center subtitled. The film offers a lyric view of village level resistance to French colonial aggression in Viet Nam in the 1950s. Nga, a young girl, is thrown into the bitter struggles of her fellow countrymen as images of innocent youth are bled away, turning into the steadfastness of nationalist resolve.

 

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