Archive | May, 2010

Tags: ,

Taken by Cars

Posted on 12 May 2010 by Ronald Gilliam

sml-Taken-by-cars-low-resTaken by Cars, usually referred to as TbC, is a Filipino indie rock band composed of Sarah Marco on vocals, Bryce Zialcita on lead guitar, Derek “Siopao” Chua on rhythm guitar, Isa Garcia on bass guitar, and Bryan Kong on drums and sampler. They describe their sound as a mixture of electro, shoegaze, and new wave.

Zialcita, Chua, Yap, and Kong, who have been friends since elementary school, formed a rock band in 1998 when they were high school sophomores. In an interview with Philippine Daily Inquirer, Zialcita said that their only goal was to play gigs in saGuijo, a café in Makati City, Philippines, which caters to indie rock enthusiasts. They performed during their high school and college days under different names like “Kung Fu Benny,” “Mexican Rice Bowl,” and “Morning Wood” until finally deciding on the name “Taken by Cars” because of its association with the concept of movement and that they “listened to a bulk of their music in their cars.”  They also tried out several music genres before settling into its “classic rock-modern indie vibe” when Marco joined the group in 2006. However, after just one month of gigging in small audiences using original materials, the band took a hiatus due to what they described as “personal reasons.” They made most out of this idle time writing and recording new songs in preparation for their return. Without a major record label to promote them, the band uploaded their music on MySpace, where they garnered fans from different parts of the world.

Taken by Cars returned to scene in early 2007 and have become notable in Manila’s indie rock scene that fans began to compel local radio stations for them to play the band’s first single, “A Weeknight Memoir (In High Definition).” On February 2007, the band submitted a demo copy of the single to NU 107, a rock music station in Pasig City, Metro Manila, for its segment “In the Raw.” Despite its less-than-perfect audio quality, “A Weeknight Memoir (In High Definition)” received heavy radio airplay and has even reached the top spot of NU 107′s daily countdown. Their next single, “Uh Oh,” also reached number one in the station’s charts.

The band’s appeal has gotten noticed by Warner Music Philippines, which signed the group to a distribution deal. Their debut album, Endings of a New Kind, was released in early 2008 under the production of Mong Alcaraz, who is also behind the music of Sandwich and Chicosci. Endings of a New Kind was received warmly by critics and fans. Entertainment writer Diego Rosano P. Mapa reviewed that he “can hear Bloc Party, CSS and New Young Pony Club in their music, but they are doing something that sounds different and refreshing. The drums party like a drum machine, the riffs are shimmering, the basses distorted like an analog keyboard, and Sarah Marco’s vocals are gonna rip all the men’s boxer shorts to shreds.” The album also includes a download card that provides access to remixed versions of its tracks. They also released a mashup version of “Uh Oh” entitled “Uh Oh It’s Electro,” which was collaborated with house DJ Funk Avy. They are working on their second album, which will be released in late 2009. -taken from wikipedia.org


Nike+ Article | Wilyfilapino Interview | Myspace | Last.fm | Multiply | Odyssey Live

Comments (1)

Tags: ,

SEA Radio on the Web

Posted on 11 May 2010 by Ronald Gilliam

Looking for a place to listen to radio from across southeast asia? The CSEAS staff recently discovered radiotime, a free streaming radio program online called radiotime! All the major southeast asian countries are listed, in addition to other countries across the globe. Some countries are even further categorized by locality! Check out the site and be sure to let us know what you think!

Comments Off

Tags: ,

Kit Chan

Posted on 05 May 2010 by Ronald Gilliam

Kit ChanKit Chan (simplified Chinese: 陈洁仪; traditional Chinese: 陳潔儀; pinyin: Chén Jiéyí) (born September 15, 1972) was the pioneer generation of Singaporean singers to successfully break into the international market, marked in particular by her breakthrough into the competitive and highly critical Taiwanese market with her hit Mandarin album Heartache (心痛) in 1994. She had released an EP “Don’t Spoil the Peace” the previous year. She is also the ambassador to the Christian relief organization, “World Vision”. Fluent in Cantonese besides Mandarin, she is the first Singaporean singer to break into the Hong Kong Cantopop market and the Taiwanese Mandopop markets. She is a revered star in Singapore, with a quiet but solid fan base.

Unarguably one of the most established local singers, Kit Chan is often dubbed as Singapore’s “national treasure” for good reasons. Since her debut in 1993, she has proven herself in many diversified areas – singing, theatre, television drama, poetry, song writing, community work, etc.

In 1994, a time when Singaporean singers were still relatively unknown and not as highly regarded in the Mandarin music scene, Kit hit the Taiwanese market with the album “Heartache”. Through hard work, determination and perseverance, she went on to cement her position in Taiwan as a steady and smooth singer; and this has put her among the ranks of pioneers who paved the way for other local recording artistes’ debut in Taiwan.

In 1997, Kit got her big break in Hong Kong when she starred opposite well-known Hong Kong singer Jacky Cheung in his musical Snow.Wolf.Lake. This musical ran for 41 nights in Hong Kong and also played in Singapore for seven nights. In addition, Kit also played the late songbird Teresa Teng in yet another musical “The Legend” in 1998, and acted in TVB drama series “Healing Hands II” (妙手仁心 2) – the sequel to the hugely popular “Healing Hands” starring established actors such as Bowie Lam (林保怡) and Ng Kai Wah (吴启华) in 2000. All these have helped Kit gain a steady foothold in Hong Kong as well as show her versatility as a performer.

Following this, Kit ventured into her second drama, the ATV-Channel U drama “Cash is King” (胜券在握) where she plays a sprightly and quirky television research writer who falls in love with a much older man. The stellar regional cast included Qin Han 秦汉 (Taiwan), Michelle Yin 米雪, Marco Lo 盧慶輝, Wallis Pang 彭子晴 (Hong Kong), Darren Lim 林明伦, Bryan Wong 王淥江 and Ix Shen 沈清剡.

More recently, Kit has been more active than ever on the musical scene, having played leading roles in productions including the Dutch-Hong Kong collaboration “East Meets West”, the well-received Mandarin musical“What’s Love About?!” and of course, the critically-acclaimed “The Forbidden City – Portrait of an Empress” where she brings Empress Dowager Cixi to life on the stage.

In 2004, she announced an indefinite break from the Chinese pop scene, to pursue her own interests.

In 2006, Kit returns to release her book “Cathy & Jodie: The Princess and the Flea” and also to reprise her role in the 3rd run of Forbidden City: The Portrait of an Empress. -taken from the unofficial Kit Chan website


un-Official Website | Fan Club | Stareast Page | iLike Page | Wikipedia Page

Comments Off

Tags: ,

Film Series: Director’s Choice

Posted on 04 May 2010 by Ronald Gilliam

Thank you for supporting the Southeast Asia Film Series over the past year! Our final film of the spring semester will be a Director’s Choice. We would like to thank everyone for their support, and we look forward to screening more films for you in the fall! Don’t forget to check out our film listings and upcoming screenings at cseashawaii.com.

Even after all this time
The sun never says to the earth,
“You owe me.”
Look what happens
With a love like that,
It lights the whole sky.

-Hafiz of Shiraz, The Gift

Comments Off

Tags: ,

Film Series: Pisay

Posted on 04 May 2010 by Ronald Gilliam

Wednesday, 5 May
6:30 p.m. – Korean Studies Auditorium

Philippines, 2007 (118 min)
Tagalog with English subtitles
Dir: Auraeus Solito
Cast: Carl John Barrameda, Elijah Castillo, E.J. Jallorina, Alfred Labatos, Annicka Dolonius, Gammy Lopez, Jonathan Neri, Shayne Fajutagana

Two years after the debut of Ang Pagdadalaga ni Maximo Oliveros (The Blossoming of Maximo Oliveros, 2005), director Auraeus Solito returned to the Cinemalaya Film Festival with Pisay (Philippine Science), where it won the Audience Choice Award for best film. The film’s title is culled from the term of endearment Filipinos have for the Philippine Science High School, a top government-funded educational institution whose curriculum is geared to training young minds for careers in science. Pisay follows the lives of eight teenagers as they go through the joys and pains of adolescence while living through the People Power days of revolt against Ferdinand Marcos.

Solito again breaks the boundaries of a condensed social unit into endearing elements that showcase very universal themes. A class of ’86 grad of the school, Solito understands the power of his medium; that it’s not enough to dwell in the gorgeous memories of a happily spent past, there has to be something much more pertinent to be told in his accurate dioramas of high school life. The vivid transformation of his characters is not only touching, it is also moving.

-Francis Cruz

IMDB Website | Philippine School System (Wikipedia) | Pinoy Film Review | Download Poster

Comments Off

Subscribe to the CSEAS Weekly Announcement

Email:

You can also text CSEAS to 22828 to join by mobile. SMS rates may apply.

Listen to the CSEAS Song of the Week:  


Advertise Here
Click Below to Access the Publications Archive:

Resource Collection of Southeast Asia Publications

Hunting and Fishing in a Kammu Village
by Tayanin
tagged: featured, laos, thailand, and to-read
Red Peacocks: Commentaries on Burmese Socialist Nationalism
tagged: burma, featured, and political-science
Islamic Statehood and Maqasid al-Shariah in Malaysia: A Zero-Sum Game?
tagged: featured, islam, malaysia, and political-science

goodreads.com



Photos from our stream...

See all photos

Advertise Here
CSEAS AWARD10 CSEAS AWARD10 CSEAS AWARD